Skeleton Crew premieres December 3 on Disney+. Told through the perspective of four kids, the series follows them as they make a mysterious discovery on their seemingly safe home planet, then get lost in a strange and dangerous galaxy, crossing paths with the likes of Jod Na Nawood, a mysterious character that Jude Law portrays. 

Season three of Dark Winds premieres March 9 on AMC and AMC+. The expanded third season, featuring eight episodes, picks up six months after the events of Season 2 and follows Lt. Joe Leaphorn and Jim Chee as they investigate the disappearance of two boys, with only an abandoned bicycle and blood-stained patch of ground left in their wake. Meanwhile, Bernadette Manuelito attempts to settle into her new life 500 miles from home with the Border Patrol, but stumbles across a conspiracy involving human and drug smuggling with far-reaching implications. 

John Mulaney will host NBC’s Saturday Night Live November 2. Chappell Roan will serve as musical guest on the late night series. 

Gordon Ramsay’s iconic series Kitchen Nightmares: Road to Super Bowl LIX returns with a supercharged two-hour episode, Wednesday, January 1 (8:00-10:00 PM ET/PT), with regular episodes airing on Wednesdays from 8:00-9:00 PM ET/PT, beginning January 8 on FOX. The first half of the season is set in New Orleans, the home of Super Bowl LIX, and will air weekly leading up to the big game, with in-episode countdowns by Ramsay and appearances by current and former NFL stars. The season will also provide an exciting, once-in-a-lifetime opportunity for the New Orleans-based restaurants, who under Ramsay’s guidance, will have the chance to be reinvigorated and running prior to the biggest sports weekend of the year. With tens of thousands of football fans descending on the Big Easy during Super Bowl week, the restaurants will have an enormous opportunity to make it or break it. The second half of the season will feature restaurants in Austin and Houston. 

Sixty years after debuting on the network, the Christmas classic Rudolph the Red-Nosed Reindeer is returning to NBC for a special 75-minute telecast on Friday, December 6 at 8 p.m. ET/PT, the exact same date it premiered in 1964 as part of the “General Electric Fantasy Hour.” Rudolph ran on NBC from 1964 through 1971 before moving to CBS. The classic animated special offers the perspective of Rudolph, who’s told he could not play in any Reindeer Games due to his glowing nose. Rudolph sets out on a fantastic journey where he meets Hermey the elf, prospector Yukon Cornelius and a host of Misfit Toys, all while trying to hide from the Abominable Snow Monster. The story is told narrated by Burl Ives, who plays Sam the Snowman and whose iconic recording of the “Rudolph” song has become part of the culture. NBC will also air another Christmas classic, Frosty the Snowman, on Thursday, December 5 at 8:30 p.m. ET/PT. 

HBO has ordered DTF ST. Louis to series. A darkly comedic limited series about a love triangle between three adults experiencing middle-age malaise, that leads to one of them ending up dead. Jason Bateman and David Harbour will star. 

Superpower comedy series The WONDERfools is coming soon to Netflix. The series follows a group of awkward townies who unexpectedly gain superpowers and fight villains threatening the peace of Haeseong city. 

The English Dub of Blue Exorcist -Beyond the Snow Saga- premieres on Crunchyroll November 2. Begin the investigation into the Illuminati and step into the dark side of the Knights of the True Cross. 

How We Became the Biggest Band in the World and Vampirina have been ordered to series at Disney Channel and Disney+. The two music-driven, live-action comedies are slated to premiere in 2025. How We Became the Biggest Band in the World follows three members of a mega-famous pop group as they tell the story of their band and friendship, starting with the day they all met in middle school. Vampirina follows a tween vampire girl who leaves Transylvania to live amongst humans and pursue her passion for music. 

NBC’s official telecast of the Macy’s Thanksgiving Day Parade will air live from 8:30 a.m. until 12 p.m. ET/PT on Thursday, November 28. The parade, which begins on Manhattan’s Upper West Side and ends at Macy’s Herald Square flagship store, will also simulstream on Peacock and have an encore on NBC at 2 p.m. ET/PT. The 98th Macy’s Parade lineup will be the largest yet with more than 5,000 volunteers, 17 featured character balloons, 22 floats, 15 heritage and novelty balloons, more than 700 clowns, 11 marching bands, 10 performance groups and music’s biggest stars, all welcoming Santa Claus and the holidays. Savannah Guthrie, Hoda Kotb and Al Roker will once again join as hosts of the celebration. 

Season two of Rhythm + Flow premieres November 20 on Netflix. The hip hop music competition is hosted by a panel of industry heavy hitters ready to discover the next generation’s rap star. This competition will feature contestants from all over the country who are hungry and ready to prove themselves to see if they have what it takes to take home the grand prize of $250,000 and the title of hip hop’s newest star. 

Season five of Miss Scarlet premieres December 8 on PBS Passport. It will make its broadcast premiere January 12 on PBS. Criminals have never stumped Eliza Scarlet, but a new Detective Inspector…? She’s on the case! 

Comedy special Jamie Foxx: What Had Happened Was… premieres December 10 on Netflix. Oscar- and Golden Globe-winning actor. Grammy-winning singer. Beloved comedian. Jamie Foxx returns to the stage to set the record straight.

Freeform’s “25 Days of Christmas” returns with yuletide cheer December 1. A delightful collection of Christmas favorites is being offered to make spirits bright, including “Home Alone,” “The Santa Clause” trilogy and “Dr. Seuss’ How the Grinch Stole Christmas” (2000). Select airings of perennial favorite “Home Alone” will incorporate “pop-up” facts about the classic holiday movie. Jingle all the way with Disney family classics like “Frozen,” the “Toy Story” franchise and “Disney’s A Christmas Carol.” Other holiday faves airing throughout the month include “Mickey’s Once Upon a Christmas,” “Miracle on 34th Street” (1994), “Arthur Christmas,” plus Rankin-Bass’ beloved specials, “Frosty the Snowman,” “Rudolph the Red-Nosed Reindeer” and “Santa Claus Is Comin’ to Town,” plus much more! Plus, the merry lineup features a network premiere featuring the Queen of Christmas herself, “Mariah Carey’s All I Want for Christmas Is You,” as well as “Dashing Through the Snow” (2023) and “Santa’s Little Helper” (2015). 

TBS and TNT will ring in the holiday season with festive films and themed episodes beginning on Saturday, November 2. With countless blockbuster films airing over 8-weeks, TNT “Christmas Maximus” takes holiday movies to the next level, serving as a hub for endless seasonal offerings and high-energy classics. TBS “All I Watch for Christmas” is the ultimate destination for nostalgic and spirited movies, series and specials all season long. Keeping with annual tradition, TBS and TNT will host 24-hour movie marathons of “A Christmas Story,” “National Lampoon’s Christmas Vacation,” and “Elf.” Other holiday classics airing in November and December include “Jack Frost,” “Dr. Seuss How the Grinch Stole Christmas (1966),” and “The Polar Express.” In addition, “Dinner and a Movie,” hosted by actor Jason Biggs and “The New York Times” bestselling author Jenny Mollen, returns with festive films including “National Lampoon’s Christmas Vacation” featuring special guest Beverly D’Angelo, “Four Christmases,” and “Die Hard.” 

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Slated to begin at 10 a.m., the day-long celebration offers devoted fans the chance to connect with their favorite cast members through in-person meet-and-greets, autograph signings, photo opportunities, and a live Q&A session. The event promises exclusive giveaways and a first-ever offering of Days-branded merchandise, created in collaboration with Sony Pictures Consumer Products, marking a milestone for the show’s fan base.

Attendees can expect appearances from series veterans and fan-favorites, including Josh Taylor, James Reynolds, Eric Martsolf, Deidre Hall, Robert Scott Wilson, Paul Telfer, Stephen Nichols, Billy Flynn, Galen Gering, Jackée Harry, Raven Bowens, Dan Feuerriegel, Carson Boatman, Elia Cantu, Abigail Klein, Linsey Godfrey, Ashley Puzemis, Leo Howard, Cherie Jimenez, Susan Hayes, Al Calderon, Martha Madison, Brandon Beemer, Stacy Haiduk, Wally Kurth, Judi Evans, Tina Huang, Casey Moss, John Paul Lavoisier, Lamon Archey, Sal Stowers, Kennedy Garcia, Colton Little, and Brandon Barash.

Peacock, which is the exclusive streaming home for Days of Our Lives, continues to be a hub for both longtime viewers and new fans, offering past seasons and fresh episodes each weekday. As the beloved soap enters its 60th season, Days remains a stalwart of daytime television, blending established storylines with new faces. The series recently garnered attention for securing a Daytime Emmy® Award for Dick Van Dyke’s memorable guest appearance.

Produced by Corday Productions Inc. in association with Sony Pictures Television, Days of Our Lives continues to make waves in the ever-evolving world of daytime dramas. For more information about “Day of Days 2024,” fans can visit the show’s official Facebook page or RSVP at peacockdayofdays.com.

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“We are happy to once again honor the creative talent both in front of and behind the camera of America’s favorite Daytime programs,” said Adam Sharp, President & CEO, NATAS. “We look forward to celebrating the icons who enliven the days of audiences across the country.”

“Producing the Daytime Emmys is a labor of love for all of us at NATAS,” said Brent Stanton, Head of Daytime, NATAS. “The huge popularity of these shows continues to be must-see viewing for their fans.” 

The June 7th telecast will mark the 18th time CBS has broadcast the Daytime Emmys®, more than any other network. The Daytime Creative Arts and Lifestyle Emmy® ceremony will stream live at 9 PM ET/6 PM PT on Saturday, June 8, at watch.TheEmmys.tv and via The Emmys® apps for iOS, tvOS, Android, FireTV, and Roku (full list at apps.TheEmmys.tv). 

DAYTIME DRAMA SERIES

• The Bay, Popstar! TV
• The Bold and the Beautiful, CBS
• Days of our Lives, Peacock
• General Hospital, ABC
• Neighbours, Amazon Freevee
• The Young and the Restless, CBS

WRITING TEAM FOR A DAYTIME DRAMA SERIES

• The Bay | Popstar! TV
• The Bold and the Beautiful | CBS
• Days of our Lives | Peacock
• General Hospital | ABC
• The Young and the Restless |CBS

DIRECTING TEAM FOR A DAYTIME DRAMA SERIES

• The Bay | Popstar! TV
• The Bold and the Beautiful | CBS
• Days of our Lives | Peacock
• General Hospital | ABC
• The Young and the Restless | CBS

LEAD PERFORMANCE IN A DAYTIME DRAMA SERIES: ACTRESS

• Tamara Braun as Ava Vitali, Days of our Lives | Peacock
• Finola Hughes as Anna Devane, General Hospital | ABC
• Katherine Kelly Lang as Brooke Logan, The Bold and the Beautiful | CBS
• Annika Noelle as Hope Logan, The Bold and the Beautiful | CBS
• Michelle Stafford as Phyllis Summers, The Young and the Restless | CBS
• Cynthia Watros as Nina Reeves, General Hospital | ABC

LEAD PERFORMANCE IN A DAYTIME DRAMA SERIES: ACTOR

• Eric Braeden as Victor Newman, The Young and the Restless | CBS
• Scott Clifton as Liam Spencer, The Bold and the Beautiful | CBS
• Thorsten Kaye as Ridge Forrester, The Bold and the Beautiful | CBS
• Eric Martsolf as Brady Black, Days of our Lives | Peacock
• John McCook as Eric Forrester, The Bold and the Beautiful | CBS

SUPPORTING PERFORMANCE IN A DAYTIME DRAMA SERIES: ACTRESS

• Jennifer Gareis as Donna Logan, The Bold and the Beautiful | CBS
• Linsey Godfrey as Sarah Horton, Days of our Lives | Peacock
• Courtney Hope as Sally Spectra, The Young and the Restless | CBS
• Allison Lanier as Summer Newman Abbott, The Young and the Restless | CBS
• Emily O’Brien as Gwen Rizczech, Days of our Lives | Peacock

SUPPORTING PERFORMANCE IN A DAYTIME DRAMA SERIES: ACTOR

• Robert Gossett as Marshall Ashford, General Hospital | ABC
• Bryton James as Devon Winters, The Young and the Restless | CBS
• Wally Kurth as Justin Kiriakis, Days of our Lives | Peacock
• A Martinez as Nardo Ramos, The Bay | Popstar! TV
• Mike Manning as Caleb McKinnon, The Bay | Popstar! TV

GUEST PERFORMANCE IN A DAYTIME DRAMA SERIES

• Linden Ashby as Cameron Kirsten, The Young and the Restless | CBS
• Ashley Jones as Dr. Bridget Forrester, The Bold and the Beautiful | CBS
• Alley Mills as Heather Webber, General Hospital | ABC
• Guy Pearce as Mike Young, Neighbours | Amazon Freevee
• Dick Van Dyke as Mystery Man/Timothy Robicheaux, Days of our Lives | Peacock

A complete list of nominees is available at the official website for the National Academy of Television Arts and Sciences.

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The Second Best Hospital in the Galaxy premieres February 23 on Prime Video. Tracee Ellis Ross, Bowen Yang, Abbi Jacobson, Jay Ellis, Andrew Dismukes, Lennon Parham, Gary Anthony Williams, and John Waters will make appearances in the animated series. The series follows Dr. Sleech and Dr. Klak – aliens, best friends, and intergalactically renowned surgeons – as they tackle anxiety-eating parasites, illegal time loops, and deep-space STIs. In Season One, doctors Sleech and Klak take on a highly dangerous and potentially groundbreaking case and, in doing so, put existence itself in jeopardy. Although considering their dismal personal lives, oblivion might be an improvement. 

Production on Star Trek: Section 31 has begun. Michelle Yeoh is set to reprise her fan-favorite role as Emperor Philippa Georgiou – a character she played in Star Trek: Discovery‘s first season – who joins a secret division of Starfleet. Tasked with protecting the United Federation of Planets, she also must face the sins of her past. Omari Hardwick, Kacey Rohl, Sam Richardson, Sven Ruygrok, Robert Kazinsky, Humberly Gonzalez, and James Hiroyuki Liao have also been cast in the Paramount+ film. 

NBC has ordered a multicamera comedy pilot starring Reba McEntire. Reba inherits her father’s restaurant and is less than thrilled to discover that she has a new business partner in the half-sister she never knew she had.

A+E Networks have formed a partnership with Rachael Ray and Intentional Content’s Free Food Studios. The new joint venture will produce and develop 278 episodes of new programming featuring Rachael and a new class of epicurean talent for A+E Networks’ Home.Made.Nation lifestyle programming block over the next two years. Initial series include Rachael Ray’s Meals in Minutes, where Rachael demonstrates her creativity and flare from her personal home kitchen, cooking a complete meal in minutes from comfort food to sophisticated fare for entertaining, and Rachael Ray’s Tuscany, where Rachael puts her own unique spin on dishes from her Italian villa in Tuscany.  

When Life Gives You Tangerines is coming soon to Netflix. The series chronicles the adventures of Ae-sun, “the remarkable rebel,” and Gwan-sik, whose nickname means “unyielding iron,” in Jeju Island, including Gwan-sik’s long-standing crush on Ae-sun since they were young. The series’ Korean title pays homage to the Jeju dialect, translating to “thank you for your hard work,” lending cultural authenticity to the narrative. 

Disney Channel has canceled Secrets Of Sulphur Springs after three seasons. In the third season, a new ghost checks into room 205 and starts wreaking havoc around The Tremont. After learning the evil presence will ruin their lives by 2024, the kids race to solve a tangled mystery in the past that may hold the key to defeating the ghost in the present and saving the Dunns and the Campbells from a very bleak future.

Prime Video will air documentary I Am: Celine Dion. This intimate exploration takes viewers on a journey inside Celine’s past and present as she reveals her battle with Stiff Person Syndrome (SPS) and the lengths she has gone to continue performing for her beloved and loyal fans. From visiting her couture touring wardrobe and personal effects to spending time in the recording studio, the documentary captures a global megastar’s never-before-seen private life. An emotional, energetic, and poetic love letter to music, I Am: Celine Dion captures more than a year of filming as the legendary singer navigates her journey toward living an open and authentic life amidst illness. 

Aníkúlápó: Rise of the Spectre premieres March 1 on Netflix. In a race against time to avoid a dismal fate, traveler Saro returns to the Oyo Kingdom with orders to complete a nearly impossible task.

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Rick and Morty: The Anime will premiere on adult swim in 2024. While the new series will adapt themes and events of the main Rick and Morty series, it will stand on its own as an original work.

Netflix has announced a new anime series The One Piece, a remake of One Piece starting from the iconic East Blue saga. The series will provide viewers with a fresh yet familiar experience, utilizing cutting-edge visual technology to reimagine Luffy’s adventures through the beloved East Blue saga. Another manga by Eiichiro Oda, created when he was only 19 years old, has also been adapted into anime for the first time. Premiering in January, the action-packed Monsters 103 Mercies Dragon Damnation follows Ryuma, a samurai entangled in a world disrupted by an ominous force – a dragon capable of unleashing catastrophic destruction upon the land. The new series come on the heels of Netflix’s live action One Piece series being renewed for a second season. 

General Hospital will celebrate its milestone 60th anniversary with a primetime special, General Hospital: 60 Years of Stars and Storytelling, airing January 4 on ABC. The television event will feature fan-favorite cast members from throughout the years as they pull back the curtain on six decades in Port Charles, including behind-the-scenes moments, bloopers, a special fan tribute and more exciting surprises honoring General Hospital’s legacy. The special will feature cast members Maurice Benard, Jane Elliot, Genie Francis, Finola Hughes, Kelly Monaco, Laura Wright and more. Joining the robust slate of current and past cast members for this retrospective look are Val Chmerkovskiy, Emma Samms, Stephen A. Smith, Rick Springfield, and Amber Tamblyn, among other all-star celebrity guests. 

Car racing anime series MF Ghost has been renewed for a second season. The series is a followup to the classic anime series Initial D and streams on Crunchyroll in the US. Japan adopts self-driving electric automobiles and renders most gas engines obsolete by 202X. The fastest cars find new life in the MFG, a racing circuit held on Japanese motorways. Drivers from around the world race for a shot at the title. Kanata Rivington returns from Britain to Japan for the MFG—and to find his father. Can he win the title and find answers? Buckle up and push it to the limit!

Max has canceled Warrior after three seasons. The first two seasons aired on Cinemax before moving to Max. Going forward, the first three seasons will stream on Netflix. The new deal gives Netflix the option to develop a fourth season down the line if it does well. 

Adult animated series The Second Best Hospital in the Galaxy will premiere on Prime Video February 23 with all eight episodes. The series follows Dr. Sleech and Dr. Klak – aliens, best friends, and intergalactically renowned surgeons – as they tackle anxiety-eating parasites, illegal time loops, and deep-space STIs. In Season One, doctors Sleech and Klak take on a highly dangerous and potentially groundbreaking case and, in doing so, put existence itself in jeopardy. Although considering their dismal personal lives, oblivion might be an improvement. It stars Maya Rudolph, Natasha Lyonne, Keke Palmer, Kieran Culkin, Stephanie Hsu and Sam Smith. 

Jacob Elordi is set to host Saturday Night Live January 20. Reneé Rapp will serve as musical guest of the late night NBC series. 

Fire Country is looking to add a female sheriff character to its series with the potential for it to launch a spinoff. The character could also be promoted to series regular on the CBS series depending on the decision down the line. 

Starz has renewed Power Book IV: Force for a third season. Tommy Egan is on a mission to avenge the death of Liliana, and with the Flynn organization weakened, he’s more determined than ever to take over the Chicago drug world. But with CBI split down the middle, Tommy and Diamond first must maintain their edge over Jenard. As their factions feud in the streets, Tommy capitalizes on another rivalry between the Serbs and Miguel Garcia, the most formidable drug lord in Chicago. After setting off a chain reaction of violence in pursuit of his ambition, Tommy must race to stay ahead of the men who are coming for what’s theirs, a federal task force that’s closing ranks, and a sadistic supplier with a direct line to the Cartel. All the while torn by the promise of a second chance with his blood family, Tommy must decide what he is willing to sacrifice to finally ascend the throne of a kingpin.

Netflix is developing a new series set in the world of Wednesday. The potential new series would focus on Uncle Fester. The horror comedy was a big hit for the streamer so it makes sense they would want to expand the universe. 

Magnum P.I. will be returning for its series finale January 3 with back to back episodes. The final two episodes were a part of the second half of the fifth season, which was the first season to air on NBC following its cancellation on CBS. 

Anime series Shy has been renewed for a second season. The series streams on Crunchyroll in the US. On the brink of a third World War, superheroes appeared on Earth. Gifted with powers, their appearance brings peace to the world. The heroes each selected a country in which they would reside, serve, and protect its citizens. Shy is Japan’s hero, endowed with super strength. Her most daunting enemy yet? Crippling shyness. Join Shy and her super friends as she defends Earth and gains confidence!

Linda Cardellini, Luke Wilson, Teyonah Parris, Abbi Jacobson and Poppy Liu have joined the cast of Netflix’s No Good Deed. They join previously announced Lisa Kudrow and Ray Romano. The eight episode series is a half hour, dark comedy that follows three very different families vying to buy the very same 1920s Spanish style villa that they think will solve all their problems. But as the sellers have already discovered, sometimes the home of your dreams can be a total nightmare.

Mayim Bialik will no longer serve as host of Jeopardy! The syndicated series will solely be hosted by Ken Jennings going forward. 

Dylan Walsh will recur in the upcoming seventh and final season of SEAL Team. The season will premiere on Paramount+ in 2024.  

AnnaLynne McCord will join the cast of Peacock’s Days of Our Lives. She will play Marin with a one year contract. She will make her first appearance later in 2024. 

Comedy special Pete Davidson: Turbo Fonzarelli premieres January 9 on Netflix. In his second Netflix special, Davidson delivers on what it means to grow up and turn 30, discussing love, life, and living in the woods.

Apple TV+ has ordered Your Friends and Neighbors. Jon Hamm will star in the lead role as Coop, a recently divorced hedge fund manager who, after being fired, resorts to stealing from the wealthy residents in his tony upstate New York suburb in order to keep his family’s lifestyle afloat. These petty crimes begin to reinvigorate him until he breaks into the wrong house at the wrong time. 

Three ABC News true crime docuseries are coming to hulu in 2024. Daughters of the Cult will premiere January 4. Season two of Death in the Dorms returns February 22. Me, Hereafter premieres February 29. 

New Japan Pro-Wrestling returns to AXS TV with 45 episodes beginning January 11. The upcoming season kicks off with four weeks of exclusive coverage from Wrestle Kingdom 18. All episodes are presented in English and feature expert play-by-play commentary from NJPW’s own Walker Stewart and Chris Charlton. 

America Ferrera will receive the 8th annual SeeHer Award at the 29th annual Critics Choice Awards. The honor will be presented to her at the star-studded gala hosted by Chelsea Handler, which will air on The CW live on January 14. 

The third and final season of La Brea premieres on NBC January 9. The series follows an epic family adventure after a massive sinkhole opens in Los Angeles pulling people and buildings into a mysterious and dangerous primeval land where they have no choice but to band together to survive. In season two, the Harris family remains separated as Eve is reeling from her son, Josh, having mistakenly gone through a portal to 1988. What she doesn’t know yet is that her estranged husband, Gavin, and their daughter, Izzy, have landed in prehistoric Seattle and now must brave the elements and animals to make their way to L.A.

Tracker, based on the bestselling novel “The Never Game” by Jeffery Deave, premieres on CBS February 11. The series follows Colter Shaw, a lone-wolf survivalist who roams the country as a reward seeker, using his expert tracking skills to help private citizens and law enforcement solve all manner of mysteries while contending with his own fractured family.

Monsieur Spade premieres January 14 on AMC, AMC+ and Acorn TV. The six episodes crime drama centers around the infamous protagonist of American writer Dashiell Hammett’s 1930 classic novel The Maltese Falcon. The year is 1963, and the legendary Detective Sam Spade is enjoying his retirement in the South of France. By contrast to his days as a private eye in San Francisco, Spade’s life in Bozouls is peaceful and quiet. But the rumored return of his old adversary will change everything. Six beloved nuns have been brutally murdered at the local convent. As the town grieves, secrets emerge, and new leads are established. Spade learns that the murders are somehow connected to a mysterious child who is believed to possess great powers. 

Hulu’s first live-action/anime hybrid original series Dragons of Wonderhatch premieres with the first two episodes December 20 on hulu and Disney+. Born in our “real world” with sound-color synesthesia – a unique ability that allows her to see colors when she hears certain sounds – Nagi has spent her entire life feeling like she doesn’t belong. Dreaming of one day being able to fly, Nagi will soon come face to face with Thaim, another misfit from a different world. Born in Upananta, Thaim has long been treated like an outcast for his inability to hear the voices of the dragons that inhabit his land. With the floating islands of Upananta slowly beginning to fall from the sky, the two misfits will set off on an epic adventure spanning both live-action and animated worlds.

Docuseries Messi’s World Cup: The Rise of a Legend premieres February 21 on Apple TV+. the series highlights the thrilling story of the planet’s top living athlete as well as that of his loyal supporters across Argentina and those who made the pilgrimage across the globe. The series also features the most personal interviews to date with Messi, alongside conversations with teammates, coaches, competitors, devout fans and commentators testifying to the incredible influence and impact he has on a nation and world stage, along with the grace, fortitude and willpower he has exhibited throughout his career. The docuseries charts the dramatic path from his first match with the Argentina national football team to carrying the weight of a country on his shoulders through several elusive World Cup wins, leading to his early retirement in 2016 and, ultimately, the comeback to become a FIFA World Cup champion and be crowned the 2022 tournament’s best player. 

Season three of Sonic Prime premieres January 11 on Netflix. When Nine steals the Paradox Prism to create a world all for himself, Sonic must team up with unlikely allies to protect the Shatterverse as he knows it.

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Kicking off at 10 a.m. Pacific Time, the complimentary event is designed for ardent fans to connect with the cast through various avenues such as autograph signings, Q&A sessions, and more activities throughout the day. Although the list of attending cast members will be disclosed at a future date, the event promises an intimate experience for fans of the long-running soap opera.

Peacock continues to be the exclusive home for “Days of Our Lives,” offering a comprehensive library that includes new episodes, archived seasons, and Peacock Originals, such as “Days of our Lives: Beyond Salem” and “Days of Our Lives: A Very Salem Christmas.” Now in its remarkable 59th season and renewed through its milestone 60th season, the series will also feature special episodes starring Dick Van Dyke. Visit Peacock to stream the series.

For additional information and to RSVP for the “Day of Days” 2023 event, enthusiasts are directed to the official Days of Our Lives Facebook page or www.peacockdayofdays.com.

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Shock, Forgiveness, and Retribution Collide in Philip’s Unexpected Return

In an unforeseen twist, Chloe finds herself fainting at the sight of Philip, who she believed was dead. Her shock turns to horror when she learns Philip faked his own death in a scheme to frame Brady and distance him from her. Philip unveils a transformed self, claiming to have received mental health treatment to move past his former jealous tendencies.

John-Paul Lavoisier, who plays Philip, described the scene in Soap Opera Digest as emotionally taxing, admitting the vulnerability and weakness his character feels during the confessions to Chloe and Brady.

Contrary to Kate’s advice, Philip returns to Salem, driven by a desire to attend his father’s funeral and to reconnect with Chloe. Prepared to face the consequences, Philip shows a degree of remorse, expressing gratitude for any forgiveness that may come his way.

When Philip and Brady finally cross paths, Brady initially greets him warmly, relieved that Philip is, in fact, alive. However, the atmosphere quickly changes. Actor Eric Martsolf, who portrays Brady, reveals that Brady’s attitude takes a sharp turn upon discovering Philip’s betrayal.

In a heated exchange, Philip comes clean about his actions, leading to a physical confrontation. Brady punches Philip, stating that his actions were inexcusable, despite Philip’s plea for understanding and forgiveness on the grounds of mental health issues.

Though acknowledging mental health as a crucial issue, Brady prepares to involve law enforcement. The question remains: Will Chloe intervene to prevent Philip’s arrest?

In a series of emotionally charged scenes, the characters find themselves caught in a web of shock, forgiveness, and the inevitable reckoning of past deeds.

More Days of our Lives Spoilers

• Shawn reacts negatively to Belle’s suggestion of taking him to an AA meeting and storms off. He tells Marlena he’s quitting therapy, as he’s weary of pretending to be better when he’s still struggling. Shawn also carries the guilt of indirectly causing Victor to travel, linking it back to his impulsive action of shooting Bo. Later, Shawn contemplates his service weapon, considering it as a way to escape his overwhelming guilt and disappointment.
• Sarah ends up in the hospital in a critical condition, heightening tensions among her loved ones.
• Shawn finds himself at an emotional nadir, hitting rock bottom despite persistent advice from others to seek professional help.
• Kate expresses concern over Rex’s romantic future, fearing his current relationship could end disastrously.
• Dimitri, skeptical of Leo’s plans, plots to confirm the legitimacy of his own marriage.
• Gabi and Stefan team up, embarking on an investigative quest to unearth some undisclosed truths.
• Paulina’s unexpected news sends ripples through Rafe and Jada’s lives, leading to Steve offering Abe some crucial advice.
• Alex grapples with immense guilt following Victor’s demise, highlighting the emotional toll of recent events.
• Belle advises Brady against pressing charges, bringing a legal angle to the emotional whirlwind.
• Xander stumbles upon an astonishing fact about Philip, adding a layer of complexity to the ongoing drama.
• Rafe arrives at a critical career-related decision, suggesting a new path may be on the horizon.

Source Sneak Peek: September 4-8, 2023

Sloan grapples with her guilt and considers coming clean. Victor’s Funeral brings loved ones together. John uncovers a secret about the mystery man.

Days of our Lives streams exclusively on Peacock. New episodes are available weekdays.

The post Days of our Lives Spoilers: August 28-September 1, 2023 appeared first on TV Source Magazine. TV Source Magazine - TV News, Spoilers, Recaps, Interviews

Escapism is awesome. However, it loses its charm when the thing you’re escaping from follows you into the place you’re escaping to. Black women who seek refuge from real-world misogynoir in soap operas can find themselves enduring it in the very spaces they sought solace.

Misogynoir, a term defined by Dr. Moya Bailey and expanded on by Trudy, aka TheTrudz, and the Crunk Feminist Collective, refers to the specific combination of misogyny, sexism, and anti-Black racism experienced by and directed towards Black women in pop culture, institutional environments, and social settings.

Some of you may feel uncomfortable now. But if merely acknowledging the existence of misogynoir elicits discomfort, imagine how it feels to experience it.

Imagine how it feels for a Black actress to learn her character will be begging for the life of a character who routinely made racist comments and committed microaggressions. Imagine how it feels for a Black actress to log onto her Twitter account, check her notifications, and discover she’s been sent monkey and banana emojis, compared to a gorilla, and called slurs by fans of her show. Imagine how it feels to be a Black woman and consistently encounter posts on a popular message board that freely and frequently employ coded language and dog whistles such as “aggressive,” “loud,” and “argumentative” when discussing Black female characters. Imagine how it feels to be a Black woman and go into the hashtag of your favorite soap and see accounts donning digital blackface for no other reason than to degrade a Black actress, the character she portrays, and antagonize her Black fans.

With that in mind, I hope those of you who feel uneasy understand why I am not catering to your comfort.

Western media and its associated fandoms tend to prioritize and elevate whiteness. Whiteness is considered the default norm and the perspective used to depict both “universal” experiences like coming of age, as well as unique experiences like coming out. The assumption is that the audience, including people of color (POC), will effortlessly relate to white characters and find them worthy of support, deserving of protection, or otherwise rootable. In contrast, characters of color in general, Black characters particularly, and Black female characters specifically often receive less care and consideration both onscreen and from audiences. Even if they are the main character or play a central role in the story, they are viewed as less sympathetic, relatable, or deserving of support and protection, even if they experience injury, trauma, terror, or death.

I understand accepting this might be challenging, and some of you may instinctively disagree. However, I will provide specific examples to illustrate how this occurs in respect to soaps, both onscreen and in fandom spaces:

1. Fully exploring the point of view and centering the feelings, motivations, and desires of white characters while disregarding or diminishing the role of a Black woman in the same story or their own story (e.g., Days of Our Lives making Jada Hunter’s decision to have an abortion all about Eric Brady’s disappointment, Nicole Walker’s feelings, and the implosion of their relationship while giving Jada minimal focus and dramatically reducing her airtime but keeping ‘Ericole’ front and center or General Hospital consistently sidelining Trina Robinson in her storylines and prioritizing the feelings, character development, and POV of others, including the racist who tormented her, over hers).

2. Minimizing the actions of or making allowances for the misdeeds or “mistakes” made by white characters while refusing to grant the same grace and understanding to Black women (e.g., General Hospital’s Curtis Ashford having no issues with walking out on both Jordan and Portia over their dishonesty, while being a staunch defender of Hayden and Nina, despite their numerous lies and manipulations).

3. Advocating for or easily accepting the redemption of white villains or allowing them to escape severe punishment while simultaneously having Black female characters harshly punished or made to suffer for their wrongdoings, whether their character is villainous or not (e.g., Days of our Lives crafting a storyline where every white villain on the canvas, including a murderer, a rapist, and a domestic terrorist, were granted pardons and released from prison but Lani Price-Grant was left behind bars to serve her sentence or The Bold and the Beautiful having both Zoe and Flo initially suffer consequences for their parts in keeping Hope Logan separated from her daughter but Zoe’s story ending with her leaving town heartbroken and humiliated, while Flo’s has seemingly ended with her engagement to the love of her life, forgiveness from her newfound family, and a cushy position in the family business).

4. A show’s fandom singling out and treating a Black female character as if she is the sole reason their white favorite isn’t getting ___ or audiences uncritically accepting stereotypical tropes that paint Black women in a negative light for the benefit of white characters (e.g., General Hospital fans advocating for more airtime for Kristina or Elizabeth by specifically asking that Portia or Jordan be written out as opposed to one of the MANY white characters on the show, or The Young and the Restless fans having no issues with Elena being characterized as a nagging, unsupportive, constantly critical bore who only wanted to take a nap to facilitate Nate and Victoria’s affair).

5. Understanding that love, romance, and passion are a huge part of what viewers tune in to see…until it’s time for a Black woman to experience those things. Then suddenly it’s, “Why can’t people just be friends” or “Not everyone needs to be in a relationship” or the pointedly specific non-specific complaints regarding “a lack of chemistry” from fans or the show putting a Black woman in a relationship but having it take part largely offscreen or rarely be featured (e.g., Days of our Lives putting Allie and Chanel together and then writing absolutely nothing for them until it was time for them to break up, General Hospital managing to find a love interest for everyone from a newly divorced Carly to the diabolical Dr. Obrecht while being unwilling to so much as chemistry test Jordan Ashford with a new man or The Bold and the Beautiful deciding to derail Paris and Zende’s relationship to reduce her to nothing more than an obstacle for Quinn and Carter).

I know that despite the examples I just gave, some of you are still in pushback mode. I can hear all the various reasons why I’m wrong. Let’s address these hypothetical points one by one.

It must be understood that misogynoir does not depend on whether a character is beloved or if an actress is talented. Jackée Harry is a cultural icon. From her roles on ‘227’, ‘The Women of Brewster Place’, and ‘Sister, Sister’, to her guest appearances on ‘A Black Lady Sketch Show’ and ‘Pose’, she has demonstrated talent that has kept her consistently employed and has resulted in multiple NAACP awards and an Emmy award. Despite the active and vocal fanbase for Paulina Price, the character she portrays on ‘Days of Our Lives’, and the evident talent and love for Jackée, microaggressions and misogynoir persist when Paulina becomes a topic of discussion.

As a dedicated fan of Elizabeth Webber since day one, I empathize and agree with these sentiments. However, it’s crucial to note that Elizabeth’s lack of focus in her stories isn’t related to her race. Conversely, Trina’s lack of centralization in her stories is directly linked to her being Black. While both characters are underserved, the underlying reasons for their treatment are distinct. Thus, while the outcomes may seem similar, it’s crucial to recognize that these situations are not equivalent.

Your ship preference is irrelevant because, interestingly, they didn’t write for Janel either. Both ships had vocal, passionate, supportive fanbases, and both ships were abruptly discontinued. Ultimately, Chanel remains alone.

Indeed, stating the obvious – water is wet. Returning to the discussion, it is essential to emphasize that we are addressing the targeted harassment of an actress because she is Black, with no other justification. It is crucial to acknowledge that these situations are fundamentally distinct and cannot be equated.

Like all media, soaps are both a mirror that reflects our current cultural attitudes and values and a tool that helps shape them. They do not exist in a vacuum, and, like all art, there is a political element to them. Respectfully, the issue is that profound.

No one insists that you must be a fan of anyone or support any ship. Nobody is saying you’re not allowed to dislike any Black female characters or not be a fan of a specific Black actress. However, I am declaring emphatically that it reflects poorly on you if you hold Black actresses and their characters to standards that you never impose on your non-Black favorites, or if the common denominator in every ship you disapprove of includes a Black woman.

This is not just my opinion. I asked other Black soap opera fans for their opinion on the prevalence of misogynoir in the genre and received permission to share their responses. The responses I received were insightful and brutally honest.

*Names have been changed to prevent harassment and answers have been edited for clarity.*

I feel like Black actresses/characters are not always given the opportunity to fully display their talent. They are not showcased as frequently and have to make do with the limited airtime they receive. On Y&R, Hilary was killed off (along with her unborn baby), and the former head writer, Mal Young, referred to it as a gift. While the misogynoir in the stories may not always be overt, there have been instances that have made me take a second look.

A notable example is how General Hospital’s Dr. Portia Robinson has been grappling with the consequences of her mistake/secret for over three months, which is a significant portion of a year. She has come close to losing her husband (who cheated on her), and her daughter, who holds great importance in her life, refuses to speak to her.

Non-Black characters have kept secrets and, when exposed, have barely faced any consequences. Black female characters sometimes lack meaningful character development unless it revolves around trauma, and even then, it may not be depicted on screen. Y&R introduced Naya’s cancer storyline for Amanda and Imani’s mother, which predominantly played out off-screen. Many fans remain dissatisfied with B&B completely eliminating its only Black family, The Avants.

I feel like Black actresses/characters are caught in a lose-lose situation. If the character is morally upright, they cannot make even minor mistakes, and when they do, it often triggers an unnecessary backlash from the fandom. And when they are portrayed as flawless (making little to no mistakes), they are labeled as ‘boring’ or ‘annoying.’ Every action they take is scrutinized, often with negative judgment. If a Black female character is paired with a desirable male character, it is frequently dismissed as ‘more like a brother and sister’ or suggested that they should remain friends.

I have called out misogynoir in fandom spaces, not limited to soap opera fandom, and have faced resistance. People have accused me of ‘playing the race card’ because they refuse to acknowledge why their comments are offensive. My concerns have been trivialized and disregarded. Whenever I observe it, I will always speak up. I have yet to witness internalized misogynoir within soap fandom, but it is prevalent in other communities. Some individuals allow themselves to be used as props for others’ racist beliefs.

Kendra

Without much thought, it’s evident that Black female characters lack complete development. Their stories often serve only to advance the plot of a white or white-adjacent character. The narratives surrounding Black female characters rarely receive thorough exploration. I began watching soaps when I was around 14 or 15, starting with General Hospital. I was drawn to Gia, but she never received the investment and development she deserved. Black female characters were treated as temporary fixtures, and their relationships were never taken seriously. If they were in an interracial pairing and got married, their relationship wasn’t portrayed with the same depth as their white counterparts. If they were married to another Black person, they received minimal focus in storylines or were abruptly written off.

I have witnessed racism from white fans directed towards Black female characters. I wouldn’t say it’s more prevalent now, but rather more visible. Days of our Lives’ Lani Price and GH’s Trina Robinson face the harshest criticisms. I believe Amanda Sinclair/Hilary Curtis on Y&R also encountered some. Trina and Lani are deemed “not good enough” for Eli and Spencer, with no valid justification given. And when those making these claims are pressed to name who they would prefer to see these men with, it’s usually someone white or non-Black who has committed similar or even worse actions than Trina or Lani. Yet, the treatment is different for non-Black characters.

Suddenly, it’s argued that “not all characters have to be good; they can be morally ambiguous, or they’ve faced consequences for their actions.” This leniency is not extended to Black female characters. The show completely disregarded the troubling optics of Lani having to kneel before another woman of color for the sake of a racist storyline, and when we voiced our concerns, we were told to accept it if we wanted Lani to have a story.

I do notice that more fans came forward to defend Trina when she debuted, which is encouraging, but there is still an abundance of poor writing and characterization for Black female characters. It’s like taking one-quarter step forward and then stumbling eighty steps back.

Latoya

I have witnessed misogynoir within fandom spaces, and I believe it reflects the attitudes presented in the show itself. When a show fails to create room for a diverse range of experiences for Black women and girls, it sets a particular tone. Let’s take General Hospital as an example. The two most prominent Black women characters on the show were introduced through paternity drama. While Trina receives significant attention for her popular pairing, her character development has been halted in favor of prioritizing the growth of her white male love interest.

In my personal experience within fandom, I have seen the voices of Black women silenced or ridiculed if they deviate from the mainstream opinion. It seems that “mainstream” GH Twitter only cares about protecting Trina, while the same level of nuance isn’t extended to Jordan, Portia, Stella, and others. Black women viewers have made a deliberate effort to uplift the Black women we see on our screens, but this responsibility should not rest solely on our shoulders.

Shows need to address race, emphasize the necessity of these stories, and stop catering to those who resist the idea of Black women being fully developed characters. To avoid being targeted and gaslit, I decided to distance myself from soap Twitter. Additionally, since my Twitter is also connected to my professional work, I can’t afford to have people look me up and see me involved in fandom conflicts, so I chose to stop tweeting about the show altogether.

Tiana

I have been watching soaps since I was a little girl. I took a break during college around 2005 or 2006 and then returned in 2019. While I have always been involved in social media, I am sometimes taken aback by the fact that people say things online that they wouldn’t say to your face. However, I have become adept at muting and blocking individuals who exhibit hateful behavior.

It is disheartening when negative comments are made about an actress’s hair or appearance. Black women are often expected to conform to certain standards of beauty and behavior, and if they deviate from those expectations, they are called out for it. Black actresses have to fight for meaningful storylines, particularly lead roles. And if they appear on-screen for 2 or 3 days a week, there are often complaints online about their character being overexposed, even if they hadn’t been seen for weeks prior. Personally, I love seeing women who look like me represented on my screen. Our stories deserve to be told too.

Alicia

My experience in the Sprina fandom has been a mix of positive and negative. I am grateful for everything we have achieved, but it is frustrating to think about why fans have to fight so hard to have this particular story told. All we want is for Trina and Spencer’s love story to be given attention. Trina is not afforded the same opportunities as others, especially her white female co-stars. I want Trina to have the same freedom of expression that Joss has and be allowed to assert herself against others, just like her best friend does. I don’t want her to be relegated to a mere talking character.

Carmen

My journey in the soap world has been enlightening. In the Days fandom, whenever we discussed Black characters facing hate due to their Blackness, there was always someone who would bring up a white character receiving hate to dismiss our concerns. When Chanel was introduced, she often seemed like an afterthought in conversations. Tweets would mention Ciara, Allie, and Chanel, with Chanel being mentioned last, as if she was added to make it appear that they cared about her as much as her white peers. I’ve also noticed that fans of white characters are less bothered when a white character they love is paired with a Black man, but if it’s a white male character they adore paired with a Black woman, it becomes a big problem. They find ways to criticize her.

Being part of the soap fandom made me reconsider how I approach tweeting about Black characters, especially when the fandom is predominantly non-Black. I observed how some Black fans would support white characters involved in rivalries with Black characters, even when their non-Black mutuals spoke about them disrespectfully. It was a major turn-off. Microaggressions were already enough to warrant a response, but seeing mutuals being racist as well? After witnessing that, there are Black characters and certain topics I avoid tweeting about because it only adds to the pile of hate that they already receive, and it opens the door for ignorant white fans to feel entitled to comment on her and make remarks about her hair or appearance.

Hillary

I believe soap Twitter is on par with reality Twitter when it comes to their disdain for Black women. Soap Twitter doesn’t hide it, and I doubt it will improve. I also think that the writers and those in charge contribute to the perpetuation of misogynoir, particularly by white women. They don’t consistently write for Black women, and when they do, they often rely on negative tropes. When that happens, these white women can defend themselves by saying, “I’m not being misogynistic or racist towards Black women because this is what we saw, it was written, and it wasn’t overtly racist (to me).”

I also think those in charge enable the mistreatment of Black actresses by fandoms because they don’t step up to defend them. Even some of their co-stars seem to endorse the harassment and abuse by not supporting them. In my experience, the fandom where I have seen the most internalized misogynoir and misogyny in general within the soap world is DAYS. Just look at the aftermath of Lani shooting TR and how it was handled. Look at Jada and the way her abortion story was portrayed.

With Trina on GH, I believe it’s more subtle due to her age. Discussions about her are often filled with comments like, “They should try Spencer and Joss,” as if Trina doesn’t deserve a love interest who genuinely wants her. Racist individuals respond to Trina and Spencer’s relationship by saying, “Oh, he can’t possibly like her,” which is also prevalent in reality TV, which can be considered a form of soap opera. I have faced pushback when I’ve spoken up, with people telling me, “Don’t make it about race.” However, I have mostly stayed silent to avoid harassment and also because I don’t want to argue with people who refuse to acknowledge what is clearly present.

Serena

I have witnessed misogynoir, although I haven’t always used that term to describe it. I can recognize the behavior, though. The disparity in how fans treat Black women and their characters is as blatant as a brick to the face.

For instance, Hilary Curtis was deemed the worst person on Earth, while a character like Mariah Copeland, who had a similar introduction, was quickly forgiven because of the actress who portrayed her and her connections. Lani Price has been accused of things that directly contradict the show’s narrative, like her “lying” to Eli about what she witnessed when she caught Gabi and JJ together, as if it was normal for Gabi to put on JJ’s t-shirt and get into bed with him. Recently, some viewers were convinced that Jada Hunter lied about terminating her pregnancy on Days, despite no evidence within the storyline pointing in that direction. On the other hand, Nicole, who has conspired to commit murder and engaged in various crimes, even manipulating Jada into having an abortion, is perceived as “misguided” or “misunderstood” and given the benefit of the doubt.

I believe misogynoir limits the types of stories writers are willing to tell with Black characters. And even when a story is told, there is often little to no consideration given to the character being Black. The narratives are frequently cut short because the writers cannot envision going beyond the original plot and exploring the depth of the character. A Black woman can’t be the focal point of any story, so they don’t bother treating her as a fully developed person.

It also affects casting decisions, with some characters becoming more ethnically ambiguous or lighter in complexion when recast, like Destiny Evans on OLTL or Simone Russell on Passions. Misogynoir literally dictates the types of Black women we are even allowed to see on screen. Tabyana Ali as Trina Robinson is significant for multiple reasons, including her appearance and how the show has positioned her to potentially drive the story. By the time I speak up about something, I have reached the point of not caring who agrees or disagrees. And I think people just block me right away, but that could be because I’m a man.

Trey

Misogynoir is not just my opinion or an exaggeration; it exists in both real life and reel life and causes real harm. Misogynoir is evident in General Hospital when Portia’s character transitions from being a protective mother to a meddlesome mom by engaging with a racist character who jeopardized her daughter’s life and freedom. Moreover, it is reflected in the way their interactions are written, which protects Esme while leaving Portia vulnerable and unsupported.

Misogynoir is seen in Bold and Beautiful fans’ responses, such as using derogatory comments like “slut alert” and perpetuating harmful stereotypes when discussing Paris and speculating about a potential RJ/Paris pairing. These comments diminish Paris’s character, despite her having had only two relationships on the show, one of which she intended to pursue marriage.

Misogynoir is witnessed in The Young and The Restless, where Mishael Morgan is treated as an afterthought, disregarding her significant, historic Emmy win.

Misogynoir is when Black women are silenced, harassed, gaslit, or accused of being “the real racists” by fellow fans when we speak out against the anti-Black harassment, abuse, and racism faced by our favorite actresses and the characters they portray.

Misogynoir is observing fans, soap press, and co-stars uniting to protect and defend white actresses from online hate or inappropriate comments, while not providing the same level of support when it’s Black actresses in need of protection.

If you are active in any soap fandom and witness misogynoir, push back against it as strongly as you challenge the denial of its existence. When Black women critique a story for perpetuating misogynoir, don’t be too quick to dismiss their valid concerns or condescendingly remind everyone that “it’s just a soap.”

If you are a moderator on a message board and notice dog whistles (such as loud, uppity, aggressive) being used when discussing Black women, issue warnings, enforce bans, or shut down problematic threads.

If you come across a racist meme or post targeting a Black actress or her character while scrolling social media, report it. If you see your Facebook friends or Twitter mutuals being disrespectful towards a Black actress’s appearance or abilities, call them out or engage in a constructive conversation, but don’t simply let it slide.

Escapism is a pleasure that everyone should be able to enjoy. The fandom communities we have created around the soaps we love should be spaces where Black women, both real and fictional, are celebrated and appreciated rather than denigrated and put on the defensive. Black women are not asking for special treatment; we are simply asking for equal and fair treatment. We are asking for the opportunity to escape too.

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