“We are happy to once again honor the creative talent both in front of and behind the camera of America’s favorite Daytime programs,” said Adam Sharp, President & CEO, NATAS. “We look forward to celebrating the icons who enliven the days of audiences across the country.”

“Producing the Daytime Emmys is a labor of love for all of us at NATAS,” said Brent Stanton, Head of Daytime, NATAS. “The huge popularity of these shows continues to be must-see viewing for their fans.” 

The June 7th telecast will mark the 18th time CBS has broadcast the Daytime Emmys®, more than any other network. The Daytime Creative Arts and Lifestyle Emmy® ceremony will stream live at 9 PM ET/6 PM PT on Saturday, June 8, at watch.TheEmmys.tv and via The Emmys® apps for iOS, tvOS, Android, FireTV, and Roku (full list at apps.TheEmmys.tv). 

DAYTIME DRAMA SERIES

• The Bay, Popstar! TV
• The Bold and the Beautiful, CBS
• Days of our Lives, Peacock
• General Hospital, ABC
• Neighbours, Amazon Freevee
• The Young and the Restless, CBS

WRITING TEAM FOR A DAYTIME DRAMA SERIES

• The Bay | Popstar! TV
• The Bold and the Beautiful | CBS
• Days of our Lives | Peacock
• General Hospital | ABC
• The Young and the Restless |CBS

DIRECTING TEAM FOR A DAYTIME DRAMA SERIES

• The Bay | Popstar! TV
• The Bold and the Beautiful | CBS
• Days of our Lives | Peacock
• General Hospital | ABC
• The Young and the Restless | CBS

LEAD PERFORMANCE IN A DAYTIME DRAMA SERIES: ACTRESS

• Tamara Braun as Ava Vitali, Days of our Lives | Peacock
• Finola Hughes as Anna Devane, General Hospital | ABC
• Katherine Kelly Lang as Brooke Logan, The Bold and the Beautiful | CBS
• Annika Noelle as Hope Logan, The Bold and the Beautiful | CBS
• Michelle Stafford as Phyllis Summers, The Young and the Restless | CBS
• Cynthia Watros as Nina Reeves, General Hospital | ABC

LEAD PERFORMANCE IN A DAYTIME DRAMA SERIES: ACTOR

• Eric Braeden as Victor Newman, The Young and the Restless | CBS
• Scott Clifton as Liam Spencer, The Bold and the Beautiful | CBS
• Thorsten Kaye as Ridge Forrester, The Bold and the Beautiful | CBS
• Eric Martsolf as Brady Black, Days of our Lives | Peacock
• John McCook as Eric Forrester, The Bold and the Beautiful | CBS

SUPPORTING PERFORMANCE IN A DAYTIME DRAMA SERIES: ACTRESS

• Jennifer Gareis as Donna Logan, The Bold and the Beautiful | CBS
• Linsey Godfrey as Sarah Horton, Days of our Lives | Peacock
• Courtney Hope as Sally Spectra, The Young and the Restless | CBS
• Allison Lanier as Summer Newman Abbott, The Young and the Restless | CBS
• Emily O’Brien as Gwen Rizczech, Days of our Lives | Peacock

SUPPORTING PERFORMANCE IN A DAYTIME DRAMA SERIES: ACTOR

• Robert Gossett as Marshall Ashford, General Hospital | ABC
• Bryton James as Devon Winters, The Young and the Restless | CBS
• Wally Kurth as Justin Kiriakis, Days of our Lives | Peacock
• A Martinez as Nardo Ramos, The Bay | Popstar! TV
• Mike Manning as Caleb McKinnon, The Bay | Popstar! TV

GUEST PERFORMANCE IN A DAYTIME DRAMA SERIES

• Linden Ashby as Cameron Kirsten, The Young and the Restless | CBS
• Ashley Jones as Dr. Bridget Forrester, The Bold and the Beautiful | CBS
• Alley Mills as Heather Webber, General Hospital | ABC
• Guy Pearce as Mike Young, Neighbours | Amazon Freevee
• Dick Van Dyke as Mystery Man/Timothy Robicheaux, Days of our Lives | Peacock

A complete list of nominees is available at the official website for the National Academy of Television Arts and Sciences.

The post ‘The Bold and the Beautiful’ and ‘The Young and the Restless’ Lead 2024 Daytime Emmy Nominations appeared first on TV Source Magazine. TV Source Magazine - TV News, Spoilers, Recaps, Interviews

FX’s What We Do In The Shadows will be ending with its previously ordered sixth season. Based on the feature film of the same name, the series is a documentary-style look into the daily (or rather, nightly) lives of four vampires who’ve “lived” together for hundreds of years.

Apple TV+ has renewed The Buccaneers for a second season. The series is inspided by Edith Wharton’s final novel. Girls with money, men with power. New money, old secrets. A group of fun-loving young American girls explode into the tightly corseted London season of the 1870s, kicking off an Anglo-American culture clash as the land of the stiff upper lip is infiltrated by a refreshing disregard for centuries of tradition. Sent to secure husbands and titles, the buccaneers’ hearts are set on much more than that, and saying “I do” is just the beginning… The music-driven series blends 1870s English aristocracy with a modern soundtrack and packed with songs from today’s top female performers. 

Angela Bassett, Dan Stevens, Matthew Modine, Bill Camp and McKinley Belcher III have been cast in Netflix’s conspiracy thriller Zero Day, starring Robert De Niro, Lizzy Caplan, Jesse Plemons, Joan Allen and Connie Britton. Gaby Hoffman, Clark Gregg, and Mark Ivanir will also guest star in the series. The six episode limited series asks the question on everyone’s mind — how do we find truth in a world in crisis, one seemingly being torn apart by forces outside our control? And in an era rife with conspiracy theory and subterfuge, how much of those forces are products of our own doing, perhaps even of our own imagining? 

The CW has acquired western drama series Ride. The one season series was recently canceled at Hallmark. It will premiere on The CW January 22. The ten episode series is a multigenerational family drama that follows the lives of the McMurrays, a tight-knit family that embarks on a journey of self-discovery on the heels of a tragic loss as they uncover a twisted web of secrets that threatens to tear the family and their Colorado town apart. 

Six episode limited series Expats premieres on Prime Video January 26. Set against the vibrant and tumultuous tapestry of 2014 Hong Kong, the series centers on three American women,  Margaret, Hilary, and Mercy, whose lives intersect after a sudden family tragedy. The series interrogates privilege and explores what happens when the line between victimhood and culpability becomes blurred. 

Comedy special Kevin James: Irregardless premieres on Prime Video January 23. The family friendly special delivers a hilariously unfiltered take on parenting, marriage, and getting older. As only James can, he covers a range of topics, from motivating children to put down their video games, to why he doesn’t trust technology, and how many Tater Tots he can fit in his mouth! 

Teo Yoo has joined the cast of The Recruit for its upcoming second season. Yoo joins Noah Centineo as a highly skilled South Korean NIS agent with a subversive sense of humor – willing to go to any lengths to protect those he cares about. 

Prime Video has ordered an eight-episode untitled series starring Octavia Spencer and Hannah Waddingham. The series follows two best friends, Judith and Debbie, who know everything about each other … well, almost everything. Judith has been living a double life that Debbie knows nothing about: she is a highly trained assassin. When a hit goes horribly wrong, Judith and Debbie must go on the run together and work to repair their broken friendship – all while being targeted by a mysterious enemy who wants them dead. And only together, can they solve this layered mystery. 

General Hospital’s character Josslyn Jacks has been temporarily recast. Courtney Fulk will portray the role until Eden McCoy returns in the beginning of the new year. McCoy recently won the Daytime Emmy for Outstanding Younger Performer. 

Docuseires Superhot: The Spicy World of Pepper People premieres on hulu January 22 with all ten episodes. The series is hosted by Ben Schwartz. Superhot spicy peppers are on fire lately – but while most experiment with heat, others live their lives in pursuit of fire. The series is a wild ride into the Spicy World of Pepper People – the self-proclaimed chili heads who have taken the chili pill and want to find out how deep the rabbit hole goes. It goes deep into a subculture fueled by spice: from the elite growers who strive to create new superhots to the chili eaters who chase the endorphin rush of consuming them. Along the way, one legendary chili head sets out on a quest to answer the spiciest of questions: is there a pepper that can challenge the world’s hottest? 

Animated series Rock Paper Scissors premieres February 12 on Nickelodeon. Titular characters Rock, Paper and Scissors are a trio of best friends and roommates who lovingly compete over everything in hilarious but mostly wildly absurd ways. Throughout season one, the trio will go to extremes playing hide-and-seek around the world, running from the birthday police, defending the world from an alien invasion, going head-to-head with the Rat Bros and more. Ahead of the series launch, viewers can catch an exclusive look at the Rock Paper Scissors Intergalactic Short, “TV Time,” during the Nickelodeon NFL Nickmas Game on December 25 at 1:00 p.m. PT / 4:00 p.m. ET on Nickelodeon, where the trio go from fighting over what to watch on TV to being the stars of a successful Broadway musical. 

Ahmed Fareed will host Football Night in America on NBC and Peacock for the remainder of the 2023 NFL season. Host Maria Taylor is currently on parental leave. Fareed’s first week as host will be December 23, with a special edition of Football Night in America at 3 p.m. ET on NBC and Peacock, leading into NBC Sports’ NFL doubleheader capped by the Peacock Holiday Exclusive game at 8 p.m. ET between Josh Allen and the Buffalo Bills against Austin Ekeler and the Los Angeles Chargers. The Peacock exclusive immediately follows the Holiday Special Saturday afternoon game featuring Joe Mixon and the Cincinnati Bengals vs. T.J. Watt and the Pittsburgh Steelers at 4:30 p.m. ET on NBC and Peacock. 

Botched returns January 18 on E!. Drs. Terry Dubrow & Paul Nassif aren’t “elfing” around when it comes to their cosmetic transformations. 

Death By Fame returns for a second season on Investigation Discovery January 22. Behind the bright lights of stardom lies a dark and sinister side of Hollywood where murder is the main character. Though Tinseltown promises glitz and glamour, these stars’ stories end very differently. In the eight-episode new season, both rising stars and beloved icons meet a disturbing fate, whether through their own untimely death or acts of evil committed by their own hands. These stories have become their own Hollywood legends, often leaving more questions than answers. 

Off Script with The Hollywood Reporter premieres December 31 on SundanceTV. Hosted by Yvonne Orji, each episode showcases a dynamic ensemble of actresses, actors, directors, songwriters and producers and delves deep into the urgent issues, creative methodologies and behind-the-scenes narratives that define the industry. With conversations moderated by The Hollywood Reporter’s (THR) Rebecca Keegan, Scott Feinberg, Mesfin Fekadu and Mia Galuppo, the series was filmed on location in The Georgian Room at The Georgian Hotel, the iconic Hollywood hangout in Santa Monica. 

The post Your TV Source Roundup: ‘My Life with the Walter Boys’ Renewed, ‘What We Do In The Shadows’ To End, ‘The Buccaneers’ Renewed, ‘Zero Day’ Adds Cast, The CW To Air ‘Ride’, ‘Expats’ Trailer, and More! appeared first on TV Source Magazine. TV Source Magazine - TV News, Spoilers, Recaps, Interviews

Rick and Morty: The Anime will premiere on adult swim in 2024. While the new series will adapt themes and events of the main Rick and Morty series, it will stand on its own as an original work.

Netflix has announced a new anime series The One Piece, a remake of One Piece starting from the iconic East Blue saga. The series will provide viewers with a fresh yet familiar experience, utilizing cutting-edge visual technology to reimagine Luffy’s adventures through the beloved East Blue saga. Another manga by Eiichiro Oda, created when he was only 19 years old, has also been adapted into anime for the first time. Premiering in January, the action-packed Monsters 103 Mercies Dragon Damnation follows Ryuma, a samurai entangled in a world disrupted by an ominous force – a dragon capable of unleashing catastrophic destruction upon the land. The new series come on the heels of Netflix’s live action One Piece series being renewed for a second season. 

General Hospital will celebrate its milestone 60th anniversary with a primetime special, General Hospital: 60 Years of Stars and Storytelling, airing January 4 on ABC. The television event will feature fan-favorite cast members from throughout the years as they pull back the curtain on six decades in Port Charles, including behind-the-scenes moments, bloopers, a special fan tribute and more exciting surprises honoring General Hospital’s legacy. The special will feature cast members Maurice Benard, Jane Elliot, Genie Francis, Finola Hughes, Kelly Monaco, Laura Wright and more. Joining the robust slate of current and past cast members for this retrospective look are Val Chmerkovskiy, Emma Samms, Stephen A. Smith, Rick Springfield, and Amber Tamblyn, among other all-star celebrity guests. 

Car racing anime series MF Ghost has been renewed for a second season. The series is a followup to the classic anime series Initial D and streams on Crunchyroll in the US. Japan adopts self-driving electric automobiles and renders most gas engines obsolete by 202X. The fastest cars find new life in the MFG, a racing circuit held on Japanese motorways. Drivers from around the world race for a shot at the title. Kanata Rivington returns from Britain to Japan for the MFG—and to find his father. Can he win the title and find answers? Buckle up and push it to the limit!

Max has canceled Warrior after three seasons. The first two seasons aired on Cinemax before moving to Max. Going forward, the first three seasons will stream on Netflix. The new deal gives Netflix the option to develop a fourth season down the line if it does well. 

Adult animated series The Second Best Hospital in the Galaxy will premiere on Prime Video February 23 with all eight episodes. The series follows Dr. Sleech and Dr. Klak – aliens, best friends, and intergalactically renowned surgeons – as they tackle anxiety-eating parasites, illegal time loops, and deep-space STIs. In Season One, doctors Sleech and Klak take on a highly dangerous and potentially groundbreaking case and, in doing so, put existence itself in jeopardy. Although considering their dismal personal lives, oblivion might be an improvement. It stars Maya Rudolph, Natasha Lyonne, Keke Palmer, Kieran Culkin, Stephanie Hsu and Sam Smith. 

Jacob Elordi is set to host Saturday Night Live January 20. Reneé Rapp will serve as musical guest of the late night NBC series. 

Fire Country is looking to add a female sheriff character to its series with the potential for it to launch a spinoff. The character could also be promoted to series regular on the CBS series depending on the decision down the line. 

Starz has renewed Power Book IV: Force for a third season. Tommy Egan is on a mission to avenge the death of Liliana, and with the Flynn organization weakened, he’s more determined than ever to take over the Chicago drug world. But with CBI split down the middle, Tommy and Diamond first must maintain their edge over Jenard. As their factions feud in the streets, Tommy capitalizes on another rivalry between the Serbs and Miguel Garcia, the most formidable drug lord in Chicago. After setting off a chain reaction of violence in pursuit of his ambition, Tommy must race to stay ahead of the men who are coming for what’s theirs, a federal task force that’s closing ranks, and a sadistic supplier with a direct line to the Cartel. All the while torn by the promise of a second chance with his blood family, Tommy must decide what he is willing to sacrifice to finally ascend the throne of a kingpin.

Netflix is developing a new series set in the world of Wednesday. The potential new series would focus on Uncle Fester. The horror comedy was a big hit for the streamer so it makes sense they would want to expand the universe. 

Magnum P.I. will be returning for its series finale January 3 with back to back episodes. The final two episodes were a part of the second half of the fifth season, which was the first season to air on NBC following its cancellation on CBS. 

Anime series Shy has been renewed for a second season. The series streams on Crunchyroll in the US. On the brink of a third World War, superheroes appeared on Earth. Gifted with powers, their appearance brings peace to the world. The heroes each selected a country in which they would reside, serve, and protect its citizens. Shy is Japan’s hero, endowed with super strength. Her most daunting enemy yet? Crippling shyness. Join Shy and her super friends as she defends Earth and gains confidence!

Linda Cardellini, Luke Wilson, Teyonah Parris, Abbi Jacobson and Poppy Liu have joined the cast of Netflix’s No Good Deed. They join previously announced Lisa Kudrow and Ray Romano. The eight episode series is a half hour, dark comedy that follows three very different families vying to buy the very same 1920s Spanish style villa that they think will solve all their problems. But as the sellers have already discovered, sometimes the home of your dreams can be a total nightmare.

Mayim Bialik will no longer serve as host of Jeopardy! The syndicated series will solely be hosted by Ken Jennings going forward. 

Dylan Walsh will recur in the upcoming seventh and final season of SEAL Team. The season will premiere on Paramount+ in 2024.  

AnnaLynne McCord will join the cast of Peacock’s Days of Our Lives. She will play Marin with a one year contract. She will make her first appearance later in 2024. 

Comedy special Pete Davidson: Turbo Fonzarelli premieres January 9 on Netflix. In his second Netflix special, Davidson delivers on what it means to grow up and turn 30, discussing love, life, and living in the woods.

Apple TV+ has ordered Your Friends and Neighbors. Jon Hamm will star in the lead role as Coop, a recently divorced hedge fund manager who, after being fired, resorts to stealing from the wealthy residents in his tony upstate New York suburb in order to keep his family’s lifestyle afloat. These petty crimes begin to reinvigorate him until he breaks into the wrong house at the wrong time. 

Three ABC News true crime docuseries are coming to hulu in 2024. Daughters of the Cult will premiere January 4. Season two of Death in the Dorms returns February 22. Me, Hereafter premieres February 29. 

New Japan Pro-Wrestling returns to AXS TV with 45 episodes beginning January 11. The upcoming season kicks off with four weeks of exclusive coverage from Wrestle Kingdom 18. All episodes are presented in English and feature expert play-by-play commentary from NJPW’s own Walker Stewart and Chris Charlton. 

America Ferrera will receive the 8th annual SeeHer Award at the 29th annual Critics Choice Awards. The honor will be presented to her at the star-studded gala hosted by Chelsea Handler, which will air on The CW live on January 14. 

The third and final season of La Brea premieres on NBC January 9. The series follows an epic family adventure after a massive sinkhole opens in Los Angeles pulling people and buildings into a mysterious and dangerous primeval land where they have no choice but to band together to survive. In season two, the Harris family remains separated as Eve is reeling from her son, Josh, having mistakenly gone through a portal to 1988. What she doesn’t know yet is that her estranged husband, Gavin, and their daughter, Izzy, have landed in prehistoric Seattle and now must brave the elements and animals to make their way to L.A.

Tracker, based on the bestselling novel “The Never Game” by Jeffery Deave, premieres on CBS February 11. The series follows Colter Shaw, a lone-wolf survivalist who roams the country as a reward seeker, using his expert tracking skills to help private citizens and law enforcement solve all manner of mysteries while contending with his own fractured family.

Monsieur Spade premieres January 14 on AMC, AMC+ and Acorn TV. The six episodes crime drama centers around the infamous protagonist of American writer Dashiell Hammett’s 1930 classic novel The Maltese Falcon. The year is 1963, and the legendary Detective Sam Spade is enjoying his retirement in the South of France. By contrast to his days as a private eye in San Francisco, Spade’s life in Bozouls is peaceful and quiet. But the rumored return of his old adversary will change everything. Six beloved nuns have been brutally murdered at the local convent. As the town grieves, secrets emerge, and new leads are established. Spade learns that the murders are somehow connected to a mysterious child who is believed to possess great powers. 

Hulu’s first live-action/anime hybrid original series Dragons of Wonderhatch premieres with the first two episodes December 20 on hulu and Disney+. Born in our “real world” with sound-color synesthesia – a unique ability that allows her to see colors when she hears certain sounds – Nagi has spent her entire life feeling like she doesn’t belong. Dreaming of one day being able to fly, Nagi will soon come face to face with Thaim, another misfit from a different world. Born in Upananta, Thaim has long been treated like an outcast for his inability to hear the voices of the dragons that inhabit his land. With the floating islands of Upananta slowly beginning to fall from the sky, the two misfits will set off on an epic adventure spanning both live-action and animated worlds.

Docuseries Messi’s World Cup: The Rise of a Legend premieres February 21 on Apple TV+. the series highlights the thrilling story of the planet’s top living athlete as well as that of his loyal supporters across Argentina and those who made the pilgrimage across the globe. The series also features the most personal interviews to date with Messi, alongside conversations with teammates, coaches, competitors, devout fans and commentators testifying to the incredible influence and impact he has on a nation and world stage, along with the grace, fortitude and willpower he has exhibited throughout his career. The docuseries charts the dramatic path from his first match with the Argentina national football team to carrying the weight of a country on his shoulders through several elusive World Cup wins, leading to his early retirement in 2016 and, ultimately, the comeback to become a FIFA World Cup champion and be crowned the 2022 tournament’s best player. 

Season three of Sonic Prime premieres January 11 on Netflix. When Nine steals the Paradox Prism to create a world all for himself, Sonic must team up with unlikely allies to protect the Shatterverse as he knows it.

The post Your TV Source Roundup: ‘Beacon 23’ Renewed, ‘Rick and Morty: The Anime’ Sneak Peek, ‘The One Piece’ Announced, ‘General Hospital’ 60th Special, ‘MF Ghost’ Renewed, ‘Warrior’ Canceled, and More! appeared first on TV Source Magazine. TV Source Magazine - TV News, Spoilers, Recaps, Interviews

Escapism is awesome. However, it loses its charm when the thing you’re escaping from follows you into the place you’re escaping to. Black women who seek refuge from real-world misogynoir in soap operas can find themselves enduring it in the very spaces they sought solace.

Misogynoir, a term defined by Dr. Moya Bailey and expanded on by Trudy, aka TheTrudz, and the Crunk Feminist Collective, refers to the specific combination of misogyny, sexism, and anti-Black racism experienced by and directed towards Black women in pop culture, institutional environments, and social settings.

Some of you may feel uncomfortable now. But if merely acknowledging the existence of misogynoir elicits discomfort, imagine how it feels to experience it.

Imagine how it feels for a Black actress to learn her character will be begging for the life of a character who routinely made racist comments and committed microaggressions. Imagine how it feels for a Black actress to log onto her Twitter account, check her notifications, and discover she’s been sent monkey and banana emojis, compared to a gorilla, and called slurs by fans of her show. Imagine how it feels to be a Black woman and consistently encounter posts on a popular message board that freely and frequently employ coded language and dog whistles such as “aggressive,” “loud,” and “argumentative” when discussing Black female characters. Imagine how it feels to be a Black woman and go into the hashtag of your favorite soap and see accounts donning digital blackface for no other reason than to degrade a Black actress, the character she portrays, and antagonize her Black fans.

With that in mind, I hope those of you who feel uneasy understand why I am not catering to your comfort.

Western media and its associated fandoms tend to prioritize and elevate whiteness. Whiteness is considered the default norm and the perspective used to depict both “universal” experiences like coming of age, as well as unique experiences like coming out. The assumption is that the audience, including people of color (POC), will effortlessly relate to white characters and find them worthy of support, deserving of protection, or otherwise rootable. In contrast, characters of color in general, Black characters particularly, and Black female characters specifically often receive less care and consideration both onscreen and from audiences. Even if they are the main character or play a central role in the story, they are viewed as less sympathetic, relatable, or deserving of support and protection, even if they experience injury, trauma, terror, or death.

I understand accepting this might be challenging, and some of you may instinctively disagree. However, I will provide specific examples to illustrate how this occurs in respect to soaps, both onscreen and in fandom spaces:

1. Fully exploring the point of view and centering the feelings, motivations, and desires of white characters while disregarding or diminishing the role of a Black woman in the same story or their own story (e.g., Days of Our Lives making Jada Hunter’s decision to have an abortion all about Eric Brady’s disappointment, Nicole Walker’s feelings, and the implosion of their relationship while giving Jada minimal focus and dramatically reducing her airtime but keeping ‘Ericole’ front and center or General Hospital consistently sidelining Trina Robinson in her storylines and prioritizing the feelings, character development, and POV of others, including the racist who tormented her, over hers).

2. Minimizing the actions of or making allowances for the misdeeds or “mistakes” made by white characters while refusing to grant the same grace and understanding to Black women (e.g., General Hospital’s Curtis Ashford having no issues with walking out on both Jordan and Portia over their dishonesty, while being a staunch defender of Hayden and Nina, despite their numerous lies and manipulations).

3. Advocating for or easily accepting the redemption of white villains or allowing them to escape severe punishment while simultaneously having Black female characters harshly punished or made to suffer for their wrongdoings, whether their character is villainous or not (e.g., Days of our Lives crafting a storyline where every white villain on the canvas, including a murderer, a rapist, and a domestic terrorist, were granted pardons and released from prison but Lani Price-Grant was left behind bars to serve her sentence or The Bold and the Beautiful having both Zoe and Flo initially suffer consequences for their parts in keeping Hope Logan separated from her daughter but Zoe’s story ending with her leaving town heartbroken and humiliated, while Flo’s has seemingly ended with her engagement to the love of her life, forgiveness from her newfound family, and a cushy position in the family business).

4. A show’s fandom singling out and treating a Black female character as if she is the sole reason their white favorite isn’t getting ___ or audiences uncritically accepting stereotypical tropes that paint Black women in a negative light for the benefit of white characters (e.g., General Hospital fans advocating for more airtime for Kristina or Elizabeth by specifically asking that Portia or Jordan be written out as opposed to one of the MANY white characters on the show, or The Young and the Restless fans having no issues with Elena being characterized as a nagging, unsupportive, constantly critical bore who only wanted to take a nap to facilitate Nate and Victoria’s affair).

5. Understanding that love, romance, and passion are a huge part of what viewers tune in to see…until it’s time for a Black woman to experience those things. Then suddenly it’s, “Why can’t people just be friends” or “Not everyone needs to be in a relationship” or the pointedly specific non-specific complaints regarding “a lack of chemistry” from fans or the show putting a Black woman in a relationship but having it take part largely offscreen or rarely be featured (e.g., Days of our Lives putting Allie and Chanel together and then writing absolutely nothing for them until it was time for them to break up, General Hospital managing to find a love interest for everyone from a newly divorced Carly to the diabolical Dr. Obrecht while being unwilling to so much as chemistry test Jordan Ashford with a new man or The Bold and the Beautiful deciding to derail Paris and Zende’s relationship to reduce her to nothing more than an obstacle for Quinn and Carter).

I know that despite the examples I just gave, some of you are still in pushback mode. I can hear all the various reasons why I’m wrong. Let’s address these hypothetical points one by one.

It must be understood that misogynoir does not depend on whether a character is beloved or if an actress is talented. Jackée Harry is a cultural icon. From her roles on ‘227’, ‘The Women of Brewster Place’, and ‘Sister, Sister’, to her guest appearances on ‘A Black Lady Sketch Show’ and ‘Pose’, she has demonstrated talent that has kept her consistently employed and has resulted in multiple NAACP awards and an Emmy award. Despite the active and vocal fanbase for Paulina Price, the character she portrays on ‘Days of Our Lives’, and the evident talent and love for Jackée, microaggressions and misogynoir persist when Paulina becomes a topic of discussion.

As a dedicated fan of Elizabeth Webber since day one, I empathize and agree with these sentiments. However, it’s crucial to note that Elizabeth’s lack of focus in her stories isn’t related to her race. Conversely, Trina’s lack of centralization in her stories is directly linked to her being Black. While both characters are underserved, the underlying reasons for their treatment are distinct. Thus, while the outcomes may seem similar, it’s crucial to recognize that these situations are not equivalent.

Your ship preference is irrelevant because, interestingly, they didn’t write for Janel either. Both ships had vocal, passionate, supportive fanbases, and both ships were abruptly discontinued. Ultimately, Chanel remains alone.

Indeed, stating the obvious – water is wet. Returning to the discussion, it is essential to emphasize that we are addressing the targeted harassment of an actress because she is Black, with no other justification. It is crucial to acknowledge that these situations are fundamentally distinct and cannot be equated.

Like all media, soaps are both a mirror that reflects our current cultural attitudes and values and a tool that helps shape them. They do not exist in a vacuum, and, like all art, there is a political element to them. Respectfully, the issue is that profound.

No one insists that you must be a fan of anyone or support any ship. Nobody is saying you’re not allowed to dislike any Black female characters or not be a fan of a specific Black actress. However, I am declaring emphatically that it reflects poorly on you if you hold Black actresses and their characters to standards that you never impose on your non-Black favorites, or if the common denominator in every ship you disapprove of includes a Black woman.

This is not just my opinion. I asked other Black soap opera fans for their opinion on the prevalence of misogynoir in the genre and received permission to share their responses. The responses I received were insightful and brutally honest.

*Names have been changed to prevent harassment and answers have been edited for clarity.*

I feel like Black actresses/characters are not always given the opportunity to fully display their talent. They are not showcased as frequently and have to make do with the limited airtime they receive. On Y&R, Hilary was killed off (along with her unborn baby), and the former head writer, Mal Young, referred to it as a gift. While the misogynoir in the stories may not always be overt, there have been instances that have made me take a second look.

A notable example is how General Hospital’s Dr. Portia Robinson has been grappling with the consequences of her mistake/secret for over three months, which is a significant portion of a year. She has come close to losing her husband (who cheated on her), and her daughter, who holds great importance in her life, refuses to speak to her.

Non-Black characters have kept secrets and, when exposed, have barely faced any consequences. Black female characters sometimes lack meaningful character development unless it revolves around trauma, and even then, it may not be depicted on screen. Y&R introduced Naya’s cancer storyline for Amanda and Imani’s mother, which predominantly played out off-screen. Many fans remain dissatisfied with B&B completely eliminating its only Black family, The Avants.

I feel like Black actresses/characters are caught in a lose-lose situation. If the character is morally upright, they cannot make even minor mistakes, and when they do, it often triggers an unnecessary backlash from the fandom. And when they are portrayed as flawless (making little to no mistakes), they are labeled as ‘boring’ or ‘annoying.’ Every action they take is scrutinized, often with negative judgment. If a Black female character is paired with a desirable male character, it is frequently dismissed as ‘more like a brother and sister’ or suggested that they should remain friends.

I have called out misogynoir in fandom spaces, not limited to soap opera fandom, and have faced resistance. People have accused me of ‘playing the race card’ because they refuse to acknowledge why their comments are offensive. My concerns have been trivialized and disregarded. Whenever I observe it, I will always speak up. I have yet to witness internalized misogynoir within soap fandom, but it is prevalent in other communities. Some individuals allow themselves to be used as props for others’ racist beliefs.

Kendra

Without much thought, it’s evident that Black female characters lack complete development. Their stories often serve only to advance the plot of a white or white-adjacent character. The narratives surrounding Black female characters rarely receive thorough exploration. I began watching soaps when I was around 14 or 15, starting with General Hospital. I was drawn to Gia, but she never received the investment and development she deserved. Black female characters were treated as temporary fixtures, and their relationships were never taken seriously. If they were in an interracial pairing and got married, their relationship wasn’t portrayed with the same depth as their white counterparts. If they were married to another Black person, they received minimal focus in storylines or were abruptly written off.

I have witnessed racism from white fans directed towards Black female characters. I wouldn’t say it’s more prevalent now, but rather more visible. Days of our Lives’ Lani Price and GH’s Trina Robinson face the harshest criticisms. I believe Amanda Sinclair/Hilary Curtis on Y&R also encountered some. Trina and Lani are deemed “not good enough” for Eli and Spencer, with no valid justification given. And when those making these claims are pressed to name who they would prefer to see these men with, it’s usually someone white or non-Black who has committed similar or even worse actions than Trina or Lani. Yet, the treatment is different for non-Black characters.

Suddenly, it’s argued that “not all characters have to be good; they can be morally ambiguous, or they’ve faced consequences for their actions.” This leniency is not extended to Black female characters. The show completely disregarded the troubling optics of Lani having to kneel before another woman of color for the sake of a racist storyline, and when we voiced our concerns, we were told to accept it if we wanted Lani to have a story.

I do notice that more fans came forward to defend Trina when she debuted, which is encouraging, but there is still an abundance of poor writing and characterization for Black female characters. It’s like taking one-quarter step forward and then stumbling eighty steps back.

Latoya

I have witnessed misogynoir within fandom spaces, and I believe it reflects the attitudes presented in the show itself. When a show fails to create room for a diverse range of experiences for Black women and girls, it sets a particular tone. Let’s take General Hospital as an example. The two most prominent Black women characters on the show were introduced through paternity drama. While Trina receives significant attention for her popular pairing, her character development has been halted in favor of prioritizing the growth of her white male love interest.

In my personal experience within fandom, I have seen the voices of Black women silenced or ridiculed if they deviate from the mainstream opinion. It seems that “mainstream” GH Twitter only cares about protecting Trina, while the same level of nuance isn’t extended to Jordan, Portia, Stella, and others. Black women viewers have made a deliberate effort to uplift the Black women we see on our screens, but this responsibility should not rest solely on our shoulders.

Shows need to address race, emphasize the necessity of these stories, and stop catering to those who resist the idea of Black women being fully developed characters. To avoid being targeted and gaslit, I decided to distance myself from soap Twitter. Additionally, since my Twitter is also connected to my professional work, I can’t afford to have people look me up and see me involved in fandom conflicts, so I chose to stop tweeting about the show altogether.

Tiana

I have been watching soaps since I was a little girl. I took a break during college around 2005 or 2006 and then returned in 2019. While I have always been involved in social media, I am sometimes taken aback by the fact that people say things online that they wouldn’t say to your face. However, I have become adept at muting and blocking individuals who exhibit hateful behavior.

It is disheartening when negative comments are made about an actress’s hair or appearance. Black women are often expected to conform to certain standards of beauty and behavior, and if they deviate from those expectations, they are called out for it. Black actresses have to fight for meaningful storylines, particularly lead roles. And if they appear on-screen for 2 or 3 days a week, there are often complaints online about their character being overexposed, even if they hadn’t been seen for weeks prior. Personally, I love seeing women who look like me represented on my screen. Our stories deserve to be told too.

Alicia

My experience in the Sprina fandom has been a mix of positive and negative. I am grateful for everything we have achieved, but it is frustrating to think about why fans have to fight so hard to have this particular story told. All we want is for Trina and Spencer’s love story to be given attention. Trina is not afforded the same opportunities as others, especially her white female co-stars. I want Trina to have the same freedom of expression that Joss has and be allowed to assert herself against others, just like her best friend does. I don’t want her to be relegated to a mere talking character.

Carmen

My journey in the soap world has been enlightening. In the Days fandom, whenever we discussed Black characters facing hate due to their Blackness, there was always someone who would bring up a white character receiving hate to dismiss our concerns. When Chanel was introduced, she often seemed like an afterthought in conversations. Tweets would mention Ciara, Allie, and Chanel, with Chanel being mentioned last, as if she was added to make it appear that they cared about her as much as her white peers. I’ve also noticed that fans of white characters are less bothered when a white character they love is paired with a Black man, but if it’s a white male character they adore paired with a Black woman, it becomes a big problem. They find ways to criticize her.

Being part of the soap fandom made me reconsider how I approach tweeting about Black characters, especially when the fandom is predominantly non-Black. I observed how some Black fans would support white characters involved in rivalries with Black characters, even when their non-Black mutuals spoke about them disrespectfully. It was a major turn-off. Microaggressions were already enough to warrant a response, but seeing mutuals being racist as well? After witnessing that, there are Black characters and certain topics I avoid tweeting about because it only adds to the pile of hate that they already receive, and it opens the door for ignorant white fans to feel entitled to comment on her and make remarks about her hair or appearance.

Hillary

I believe soap Twitter is on par with reality Twitter when it comes to their disdain for Black women. Soap Twitter doesn’t hide it, and I doubt it will improve. I also think that the writers and those in charge contribute to the perpetuation of misogynoir, particularly by white women. They don’t consistently write for Black women, and when they do, they often rely on negative tropes. When that happens, these white women can defend themselves by saying, “I’m not being misogynistic or racist towards Black women because this is what we saw, it was written, and it wasn’t overtly racist (to me).”

I also think those in charge enable the mistreatment of Black actresses by fandoms because they don’t step up to defend them. Even some of their co-stars seem to endorse the harassment and abuse by not supporting them. In my experience, the fandom where I have seen the most internalized misogynoir and misogyny in general within the soap world is DAYS. Just look at the aftermath of Lani shooting TR and how it was handled. Look at Jada and the way her abortion story was portrayed.

With Trina on GH, I believe it’s more subtle due to her age. Discussions about her are often filled with comments like, “They should try Spencer and Joss,” as if Trina doesn’t deserve a love interest who genuinely wants her. Racist individuals respond to Trina and Spencer’s relationship by saying, “Oh, he can’t possibly like her,” which is also prevalent in reality TV, which can be considered a form of soap opera. I have faced pushback when I’ve spoken up, with people telling me, “Don’t make it about race.” However, I have mostly stayed silent to avoid harassment and also because I don’t want to argue with people who refuse to acknowledge what is clearly present.

Serena

I have witnessed misogynoir, although I haven’t always used that term to describe it. I can recognize the behavior, though. The disparity in how fans treat Black women and their characters is as blatant as a brick to the face.

For instance, Hilary Curtis was deemed the worst person on Earth, while a character like Mariah Copeland, who had a similar introduction, was quickly forgiven because of the actress who portrayed her and her connections. Lani Price has been accused of things that directly contradict the show’s narrative, like her “lying” to Eli about what she witnessed when she caught Gabi and JJ together, as if it was normal for Gabi to put on JJ’s t-shirt and get into bed with him. Recently, some viewers were convinced that Jada Hunter lied about terminating her pregnancy on Days, despite no evidence within the storyline pointing in that direction. On the other hand, Nicole, who has conspired to commit murder and engaged in various crimes, even manipulating Jada into having an abortion, is perceived as “misguided” or “misunderstood” and given the benefit of the doubt.

I believe misogynoir limits the types of stories writers are willing to tell with Black characters. And even when a story is told, there is often little to no consideration given to the character being Black. The narratives are frequently cut short because the writers cannot envision going beyond the original plot and exploring the depth of the character. A Black woman can’t be the focal point of any story, so they don’t bother treating her as a fully developed person.

It also affects casting decisions, with some characters becoming more ethnically ambiguous or lighter in complexion when recast, like Destiny Evans on OLTL or Simone Russell on Passions. Misogynoir literally dictates the types of Black women we are even allowed to see on screen. Tabyana Ali as Trina Robinson is significant for multiple reasons, including her appearance and how the show has positioned her to potentially drive the story. By the time I speak up about something, I have reached the point of not caring who agrees or disagrees. And I think people just block me right away, but that could be because I’m a man.

Trey

Misogynoir is not just my opinion or an exaggeration; it exists in both real life and reel life and causes real harm. Misogynoir is evident in General Hospital when Portia’s character transitions from being a protective mother to a meddlesome mom by engaging with a racist character who jeopardized her daughter’s life and freedom. Moreover, it is reflected in the way their interactions are written, which protects Esme while leaving Portia vulnerable and unsupported.

Misogynoir is seen in Bold and Beautiful fans’ responses, such as using derogatory comments like “slut alert” and perpetuating harmful stereotypes when discussing Paris and speculating about a potential RJ/Paris pairing. These comments diminish Paris’s character, despite her having had only two relationships on the show, one of which she intended to pursue marriage.

Misogynoir is witnessed in The Young and The Restless, where Mishael Morgan is treated as an afterthought, disregarding her significant, historic Emmy win.

Misogynoir is when Black women are silenced, harassed, gaslit, or accused of being “the real racists” by fellow fans when we speak out against the anti-Black harassment, abuse, and racism faced by our favorite actresses and the characters they portray.

Misogynoir is observing fans, soap press, and co-stars uniting to protect and defend white actresses from online hate or inappropriate comments, while not providing the same level of support when it’s Black actresses in need of protection.

If you are active in any soap fandom and witness misogynoir, push back against it as strongly as you challenge the denial of its existence. When Black women critique a story for perpetuating misogynoir, don’t be too quick to dismiss their valid concerns or condescendingly remind everyone that “it’s just a soap.”

If you are a moderator on a message board and notice dog whistles (such as loud, uppity, aggressive) being used when discussing Black women, issue warnings, enforce bans, or shut down problematic threads.

If you come across a racist meme or post targeting a Black actress or her character while scrolling social media, report it. If you see your Facebook friends or Twitter mutuals being disrespectful towards a Black actress’s appearance or abilities, call them out or engage in a constructive conversation, but don’t simply let it slide.

Escapism is a pleasure that everyone should be able to enjoy. The fandom communities we have created around the soaps we love should be spaces where Black women, both real and fictional, are celebrated and appreciated rather than denigrated and put on the defensive. Black women are not asking for special treatment; we are simply asking for equal and fair treatment. We are asking for the opportunity to escape too.

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Courtroom Shock: Drew Faces Harsher Fate Than Expected #LockHimUp

In an unexpected turn of events on General Hospital, Drew’s decision to shoulder the insider trading charges he shares with Carly leads to severe unintended consequences. With a calm demeanor, Drew steps into the court, ready to plead guilty, with the expectation of serving a six-month term at the relatively hospitable Spring Ridge, thanks to a plea deal arranged by his attorney, Zeke.

Drew enters the courtroom with mixed feelings. Although the thought of being separated from Carly and his daughter, Scout, weighs heavily on him, he finds comfort in the fact that he is doing the right thing. Zeke, his legal counsel, guides him through the courtroom proceedings and assures him that the plea deal is sound and likely to be approved by the judge.

However, the courtroom scenario takes an unexpected turn. The day’s proceedings become tense as the judge, appearing to be in a foul mood, decides to set an example with Drew’s case. Despite Drew’s military background and status as an ex-Navy SEAL, the judge rules in favor of a harsher penalty than anticipated. Drew is sentenced to two years in the high-security Pentonville prison, a significant deviation from the initial six months at Spring Ridge. The verdict shocks Drew, and the judge defends his decision, citing Drew’s military background and the seriousness of his offenses.

Carly, unlike Drew, is not lost for words. As Drew attempts to calm her down to avoid a contempt charge, Carly urges him to reconsider his plea, fearing the long-term separation from him and he from his daughter. However, the judge’s decision is final, and despite the pleas, Drew has no choice but to accept his fate.

This Week on General Hospital

Kicking off on Monday, June 19, 2023, Curtis and Trina find a moment of connection, while Austin offers words of caution to Laura. Meanwhile, Jordan stumbles upon an enticing opportunity, forcing Nina to think on her feet.

The following day, Tuesday, June 20, 2023, Ava becomes the voice of reason, as Drew seeks counsel with Sam. In another part of town, Liz provides advice to Portia, and TJ opens up to Alexis. The day concludes with a surprising visitor for Jordan.

On Wednesday, June 21, 2023, Jordan opts for the moral high ground while Curtis finds himself needing to explain his actions. Sasha is taken aback by a surprise, Cody sends for Gladys, and an interruption disrupts Sam’s plans.

The drama escalates on Thursday, June 22, 2023, when Tracy unleashes her wrath. Drew is caught off guard by an unexpected incident, and Selina steps in to mediate a conflict. In the meantime, Michael expresses his gratitude, and a suggestion comes from Alexis.

The week wraps up on Friday, June 23, 2023, with Carly expressing her outrage. A clash arises between Gregory and Tracy, leaving Olivia desperately searching for answers. Despite the recent setbacks, Drew holds his ground, and Lucy confides in Maxie.

Prepare for a week filled with surprise twists, emotional revelations, and intense confrontations on General Hospital!

Source Sneak Peek: Week of June 26, 2023

In a heart-to-heart, Trina seeks quality time with Spencer, and an overwhelmed Brook Lynn encounters unexpected stress. Nina’s momentary relief swiftly vanishes, as Ava and Austin are left rattled by unforeseen circumstances. Midweek brings additional woes for Carly and Ava, while a significant promise from Drew and a flare in Spencer’s temper hint at brewing conflicts. Stay tuned for more drama and suspense on General Hospital!

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Mansi shared intimate details from her initial Zoom meeting with “General Hospital’s” executive producer, Frank Valentini, and casting director, Mark Teschner. She expressed gratitude for their commendations regarding her past performances and valued their insights into the unique environment of “General Hospital.”

Assuming the role of Kristina, a complex character caught between two worlds with dysfunctional family dynamics, and one who happens to be bisexual, helping her younger sister deal with a endometriosis diagnosis, is no small undertaking. Yet, Mansi seems to be embracing the challenge with enthusiasm and sensitivity. She acknowledges the importance of respecting the legacy of the character, particularly the contributions of her predecessor, Lexi Ainsworth. In a testament to her considerate nature, Mansi reached out to Ainsworth, whom she calls a friend, ensuring her understanding of the profound respect she holds for her work.

The transition from Ainsworth to Mansi will inevitably be a process for the show’s loyal viewers. Mansi recognizes the complexity of this shift, expressing that her portrayal of Kristina will reflect both continuity and change. Drawing from her personal experiences in the realm of soap opera recasting, she advocates for a nuanced perspective from the fans. She articulates that the daytime drama world is a place where fans can simultaneously appreciate different portrayals of the same character, insisting that love for one actor does not diminish admiration for another.

As Mansi prepares to step into the shoes of Kristina, she expresses gratitude and excitement for the opportunity. She is eager to make her mark on the Davis family storyline and invites viewers to welcome this new wave of change with open arms.

For a more comprehensive glimpse into Mansi’s transition to “General Hospital,” fans are encouraged to read her full interview in the upcoming issue of Soap Opera Digest.

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The Hollywood Reporter was the first to break the news. Ingo Rademacher is best known for his portrayal of corporate raiding playboy Jasper “Jax” Jacks on long-running ABC soap. He initially joined the cast in 1996 and was a prominent character for many years until his abrupt departure in 2021.

Rademacher had argued vehemently that he was unjustly dismissed from the show for declining the COVID-19 vaccine, citing his religious beliefs and medical condition as grounds for an exemption. Yet, the court sided with ABC, asserting that the actor’s opposition to the vaccine was grounded more in health concerns than in religious conviction.

It’s crucial to remember that ABC, like many other studios, had implemented vaccine mandates as part of their return-to-work protocols. These mandates mainly targeted those in the highest-risk areas on the set – including the main actors and key crewmembers. However, as the pandemic evolved, many studios, including Disney, ABC’s parent company, began to pull back from these blanket policies, opting instead for more nuanced approaches.

Rademacher’s case against ABC relied on the assertion that the network lacked the authority to impose a vaccine mandate on its employees. He claimed the network had wrongfully terminated his contract and violated his right to privacy, among other allegations. His arguments hinged on a moral belief that his body, as “endowed by his creator,” should not be subjected to foreign genetic material, such as the COVID-19 vaccine.

Yet, ABC’s defense painted a different picture of Rademacher’s religious objections. The network’s lawyers argued that the actor’s beliefs were more focused on health and personal ethics than comprehensive religious doctrine. They pointed to the absence of formal religious structures or practices in Rademacher’s “religion,” such as specific writings, gathering places, clergy, ceremonies, and proselytization.

Moreover, ABC questioned the sincerity of Rademacher’s belief in a book he cited, the “Revelations of Ramala,” considering he last read it three decades ago and no longer possessed a copy. While Rademacher’s lawyer contended that the actor’s beliefs were not hastily concocted to bypass the vaccine policy, Judge Stephen Goorvitch remained unconvinced. The court found that ABC did not have an obligation to accommodate Rademacher’s unconventional religious beliefs.

This outcome, while specific to Rademacher’s case, has broader implications for Hollywood. The dismissal of Rademacher’s lawsuit may serve as a precedent for similar cases and potentially discourage others from pursuing similar legal routes. Notably, ABC has been sued by other “General Hospital” crew members who were dismissed for refusing the vaccine. As Hollywood continues to grapple with the challenges of the pandemic and return-to-work protocols, this ruling reinforces the authority of studios to prioritize health and safety over individual objections to vaccine mandates.

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Soap Opera Digest was the first to break the news of his casting. Willey’s reprisal marks the first time an “All My Children” character has appeared in the ABC Cinematic Universe since the series’ cancellation in 2011. Any plans to incorporate AMC into GH fell apart when Prospect Park, who licensed the rights to “All My Children” and “One Life to Live,” filed suit against ABC after multiple characters from OLTL crossed over during the 2012 and 2013 seasons. The lawsuit was dismissed in 2016.

Jackson Montgomery was a distinguished attorney and eminent resident of the fictional town of Pine Valley, playing a critical role in the narrative of the series. Introduced in 1987, he continued to be a vital character until the show concluded in 2011.

He was known for his fierce pursuit of justice and complicated relationships, particularly his intermittent romantic involvement with the series’ matriarch, Erica Kane (Susan Lucci). This primary storyline spanned numerous years, with their intense and occasionally stormy love story holding viewers spellbound.

This isn’t Willey’s first time crossing over for his character, Jack, having previously appeared on “The City” in 1996.

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