“We are happy to once again honor the creative talent both in front of and behind the camera of America’s favorite Daytime programs,” said Adam Sharp, President & CEO, NATAS. “We look forward to celebrating the icons who enliven the days of audiences across the country.”

“Producing the Daytime Emmys is a labor of love for all of us at NATAS,” said Brent Stanton, Head of Daytime, NATAS. “The huge popularity of these shows continues to be must-see viewing for their fans.” 

The June 7th telecast will mark the 18th time CBS has broadcast the Daytime Emmys®, more than any other network. The Daytime Creative Arts and Lifestyle Emmy® ceremony will stream live at 9 PM ET/6 PM PT on Saturday, June 8, at watch.TheEmmys.tv and via The Emmys® apps for iOS, tvOS, Android, FireTV, and Roku (full list at apps.TheEmmys.tv). 

DAYTIME DRAMA SERIES

• The Bay, Popstar! TV
• The Bold and the Beautiful, CBS
• Days of our Lives, Peacock
• General Hospital, ABC
• Neighbours, Amazon Freevee
• The Young and the Restless, CBS

WRITING TEAM FOR A DAYTIME DRAMA SERIES

• The Bay | Popstar! TV
• The Bold and the Beautiful | CBS
• Days of our Lives | Peacock
• General Hospital | ABC
• The Young and the Restless |CBS

DIRECTING TEAM FOR A DAYTIME DRAMA SERIES

• The Bay | Popstar! TV
• The Bold and the Beautiful | CBS
• Days of our Lives | Peacock
• General Hospital | ABC
• The Young and the Restless | CBS

LEAD PERFORMANCE IN A DAYTIME DRAMA SERIES: ACTRESS

• Tamara Braun as Ava Vitali, Days of our Lives | Peacock
• Finola Hughes as Anna Devane, General Hospital | ABC
• Katherine Kelly Lang as Brooke Logan, The Bold and the Beautiful | CBS
• Annika Noelle as Hope Logan, The Bold and the Beautiful | CBS
• Michelle Stafford as Phyllis Summers, The Young and the Restless | CBS
• Cynthia Watros as Nina Reeves, General Hospital | ABC

LEAD PERFORMANCE IN A DAYTIME DRAMA SERIES: ACTOR

• Eric Braeden as Victor Newman, The Young and the Restless | CBS
• Scott Clifton as Liam Spencer, The Bold and the Beautiful | CBS
• Thorsten Kaye as Ridge Forrester, The Bold and the Beautiful | CBS
• Eric Martsolf as Brady Black, Days of our Lives | Peacock
• John McCook as Eric Forrester, The Bold and the Beautiful | CBS

SUPPORTING PERFORMANCE IN A DAYTIME DRAMA SERIES: ACTRESS

• Jennifer Gareis as Donna Logan, The Bold and the Beautiful | CBS
• Linsey Godfrey as Sarah Horton, Days of our Lives | Peacock
• Courtney Hope as Sally Spectra, The Young and the Restless | CBS
• Allison Lanier as Summer Newman Abbott, The Young and the Restless | CBS
• Emily O’Brien as Gwen Rizczech, Days of our Lives | Peacock

SUPPORTING PERFORMANCE IN A DAYTIME DRAMA SERIES: ACTOR

• Robert Gossett as Marshall Ashford, General Hospital | ABC
• Bryton James as Devon Winters, The Young and the Restless | CBS
• Wally Kurth as Justin Kiriakis, Days of our Lives | Peacock
• A Martinez as Nardo Ramos, The Bay | Popstar! TV
• Mike Manning as Caleb McKinnon, The Bay | Popstar! TV

GUEST PERFORMANCE IN A DAYTIME DRAMA SERIES

• Linden Ashby as Cameron Kirsten, The Young and the Restless | CBS
• Ashley Jones as Dr. Bridget Forrester, The Bold and the Beautiful | CBS
• Alley Mills as Heather Webber, General Hospital | ABC
• Guy Pearce as Mike Young, Neighbours | Amazon Freevee
• Dick Van Dyke as Mystery Man/Timothy Robicheaux, Days of our Lives | Peacock

A complete list of nominees is available at the official website for the National Academy of Television Arts and Sciences.

The post ‘The Bold and the Beautiful’ and ‘The Young and the Restless’ Lead 2024 Daytime Emmy Nominations appeared first on TV Source Magazine. TV Source Magazine - TV News, Spoilers, Recaps, Interviews

Season four of The Challenge: All Stars premieres April 10 with back to back episodes on Paramount+. Old-school legends, modern power players, redemption-seekers and ex-lovers reunite in Cape Town, South Africa to compete for $300,000. In this game, anyone can win, relationships matter, and only one All Star will claim the title champion.

Vanderpump Rules spinoff The Valley will premiere March 19 on Bravo. The series follows a group of close friends as they trade bottle service in West Hollywood for baby bottles in the Valley all while they navigate bustling businesses, rocky relationships and feisty friendships. 

Prime Video ordered Overcompensating to series. Benito Skinner will star while Charli XCX will produce original music for the series. The series is a college-set ensemble comedy about the wild, chaotic journey of Benny, a closeted former football player and homecoming king, as he becomes fast friends with Carmen, a high school outsider on a mission to fit in at all costs. With guidance from Benny’s older sister and her campus-legend boyfriend, Benny and Carmen juggle horrible hookups, flavored vodka, and fake IDs. Deeply funny and personal, the show explores the lengths to which we all overcompensate while on the path to finding out who we really are. 

Eugene Levy has been cast in the upcoming fourth season of Only Murders in the Building. He will recur in the hulu series joining previously announced Molly Shannon and Eva Longoria. Meryl Streep is also set to return for the new season. 

Jeremiah Brent has been cast in the upcoming ninth season of Queer Eye. He replaces Bobby Berk who exited the Netflix series as the design expert. Original stars Antoni Porowski, Jonathan Van Ness, Tan France, and Karamo Brown will all return. 

The eighth annual Crunchyroll Anime Awards will take place March 2 on YouTube and Twitch at 6pm JST, 4am EST. Sally Amaki and Jon Kabira will serve as hosts. Pre-show and live ceremony presenters include Megan Thee Stallion, LiSA, Iman Vellani, Labrinth, Porter Robinson, and Phil Lord & Chris Miller. 

NBC will celebrate ten years of The Tonight Show Starring Jimmy Fallon with a primetime special May 14 on NBC. The anniversary special will feature a look back at the many unforgettable moments that have defined the show’s legacy, viral hits, favorite sketches, musical performances, and interviews that have shaped our culture. 

Kelsea Ballerini will return as host of the 2024 CMT Music Awards April 7 on CBS. The ceremony will air live from Austin, Texas’ Moody Center. This marks the fourth consecutive year she takes the reins for country music’s first fan-voted awards show. Nominations, performers and presenters will be announced in the coming weeks. 

Hulu will be adding English dubs for anime including Blue Lock, Spy x Family Season 2, Rising of the Shield Hero Season 3, Dragon Ball Super: Broly, and more this March. The series previously aired their dubs on Crunchyroll. 

Chappelle’s Home Team Presents – Donnell Rawlings: A New Day premieres February 27 on Netflix. Donnell Rawlings riffs on toxic relationships, getting older, visiting New Zealand and his secret to co-parenting a young son in this stand-up special.

The post Your TV Source Roundup: ‘The Young And The Restless’ Renewed, ‘The Challenge: All Stars’ Premiere Date, ‘The Valley’ Premiere Date, ‘Overcompensating’ Ordered, Eugene Levy Joins ‘Only Murders in the Building’, Jeremiah Brent Joins ‘Queer Eye’, and More! appeared first on TV Source Magazine. TV Source Magazine - TV News, Spoilers, Recaps, Interviews

Escapism is awesome. However, it loses its charm when the thing you’re escaping from follows you into the place you’re escaping to. Black women who seek refuge from real-world misogynoir in soap operas can find themselves enduring it in the very spaces they sought solace.

Misogynoir, a term defined by Dr. Moya Bailey and expanded on by Trudy, aka TheTrudz, and the Crunk Feminist Collective, refers to the specific combination of misogyny, sexism, and anti-Black racism experienced by and directed towards Black women in pop culture, institutional environments, and social settings.

Some of you may feel uncomfortable now. But if merely acknowledging the existence of misogynoir elicits discomfort, imagine how it feels to experience it.

Imagine how it feels for a Black actress to learn her character will be begging for the life of a character who routinely made racist comments and committed microaggressions. Imagine how it feels for a Black actress to log onto her Twitter account, check her notifications, and discover she’s been sent monkey and banana emojis, compared to a gorilla, and called slurs by fans of her show. Imagine how it feels to be a Black woman and consistently encounter posts on a popular message board that freely and frequently employ coded language and dog whistles such as “aggressive,” “loud,” and “argumentative” when discussing Black female characters. Imagine how it feels to be a Black woman and go into the hashtag of your favorite soap and see accounts donning digital blackface for no other reason than to degrade a Black actress, the character she portrays, and antagonize her Black fans.

With that in mind, I hope those of you who feel uneasy understand why I am not catering to your comfort.

Western media and its associated fandoms tend to prioritize and elevate whiteness. Whiteness is considered the default norm and the perspective used to depict both “universal” experiences like coming of age, as well as unique experiences like coming out. The assumption is that the audience, including people of color (POC), will effortlessly relate to white characters and find them worthy of support, deserving of protection, or otherwise rootable. In contrast, characters of color in general, Black characters particularly, and Black female characters specifically often receive less care and consideration both onscreen and from audiences. Even if they are the main character or play a central role in the story, they are viewed as less sympathetic, relatable, or deserving of support and protection, even if they experience injury, trauma, terror, or death.

I understand accepting this might be challenging, and some of you may instinctively disagree. However, I will provide specific examples to illustrate how this occurs in respect to soaps, both onscreen and in fandom spaces:

1. Fully exploring the point of view and centering the feelings, motivations, and desires of white characters while disregarding or diminishing the role of a Black woman in the same story or their own story (e.g., Days of Our Lives making Jada Hunter’s decision to have an abortion all about Eric Brady’s disappointment, Nicole Walker’s feelings, and the implosion of their relationship while giving Jada minimal focus and dramatically reducing her airtime but keeping ‘Ericole’ front and center or General Hospital consistently sidelining Trina Robinson in her storylines and prioritizing the feelings, character development, and POV of others, including the racist who tormented her, over hers).

2. Minimizing the actions of or making allowances for the misdeeds or “mistakes” made by white characters while refusing to grant the same grace and understanding to Black women (e.g., General Hospital’s Curtis Ashford having no issues with walking out on both Jordan and Portia over their dishonesty, while being a staunch defender of Hayden and Nina, despite their numerous lies and manipulations).

3. Advocating for or easily accepting the redemption of white villains or allowing them to escape severe punishment while simultaneously having Black female characters harshly punished or made to suffer for their wrongdoings, whether their character is villainous or not (e.g., Days of our Lives crafting a storyline where every white villain on the canvas, including a murderer, a rapist, and a domestic terrorist, were granted pardons and released from prison but Lani Price-Grant was left behind bars to serve her sentence or The Bold and the Beautiful having both Zoe and Flo initially suffer consequences for their parts in keeping Hope Logan separated from her daughter but Zoe’s story ending with her leaving town heartbroken and humiliated, while Flo’s has seemingly ended with her engagement to the love of her life, forgiveness from her newfound family, and a cushy position in the family business).

4. A show’s fandom singling out and treating a Black female character as if she is the sole reason their white favorite isn’t getting ___ or audiences uncritically accepting stereotypical tropes that paint Black women in a negative light for the benefit of white characters (e.g., General Hospital fans advocating for more airtime for Kristina or Elizabeth by specifically asking that Portia or Jordan be written out as opposed to one of the MANY white characters on the show, or The Young and the Restless fans having no issues with Elena being characterized as a nagging, unsupportive, constantly critical bore who only wanted to take a nap to facilitate Nate and Victoria’s affair).

5. Understanding that love, romance, and passion are a huge part of what viewers tune in to see…until it’s time for a Black woman to experience those things. Then suddenly it’s, “Why can’t people just be friends” or “Not everyone needs to be in a relationship” or the pointedly specific non-specific complaints regarding “a lack of chemistry” from fans or the show putting a Black woman in a relationship but having it take part largely offscreen or rarely be featured (e.g., Days of our Lives putting Allie and Chanel together and then writing absolutely nothing for them until it was time for them to break up, General Hospital managing to find a love interest for everyone from a newly divorced Carly to the diabolical Dr. Obrecht while being unwilling to so much as chemistry test Jordan Ashford with a new man or The Bold and the Beautiful deciding to derail Paris and Zende’s relationship to reduce her to nothing more than an obstacle for Quinn and Carter).

I know that despite the examples I just gave, some of you are still in pushback mode. I can hear all the various reasons why I’m wrong. Let’s address these hypothetical points one by one.

It must be understood that misogynoir does not depend on whether a character is beloved or if an actress is talented. Jackée Harry is a cultural icon. From her roles on ‘227’, ‘The Women of Brewster Place’, and ‘Sister, Sister’, to her guest appearances on ‘A Black Lady Sketch Show’ and ‘Pose’, she has demonstrated talent that has kept her consistently employed and has resulted in multiple NAACP awards and an Emmy award. Despite the active and vocal fanbase for Paulina Price, the character she portrays on ‘Days of Our Lives’, and the evident talent and love for Jackée, microaggressions and misogynoir persist when Paulina becomes a topic of discussion.

As a dedicated fan of Elizabeth Webber since day one, I empathize and agree with these sentiments. However, it’s crucial to note that Elizabeth’s lack of focus in her stories isn’t related to her race. Conversely, Trina’s lack of centralization in her stories is directly linked to her being Black. While both characters are underserved, the underlying reasons for their treatment are distinct. Thus, while the outcomes may seem similar, it’s crucial to recognize that these situations are not equivalent.

Your ship preference is irrelevant because, interestingly, they didn’t write for Janel either. Both ships had vocal, passionate, supportive fanbases, and both ships were abruptly discontinued. Ultimately, Chanel remains alone.

Indeed, stating the obvious – water is wet. Returning to the discussion, it is essential to emphasize that we are addressing the targeted harassment of an actress because she is Black, with no other justification. It is crucial to acknowledge that these situations are fundamentally distinct and cannot be equated.

Like all media, soaps are both a mirror that reflects our current cultural attitudes and values and a tool that helps shape them. They do not exist in a vacuum, and, like all art, there is a political element to them. Respectfully, the issue is that profound.

No one insists that you must be a fan of anyone or support any ship. Nobody is saying you’re not allowed to dislike any Black female characters or not be a fan of a specific Black actress. However, I am declaring emphatically that it reflects poorly on you if you hold Black actresses and their characters to standards that you never impose on your non-Black favorites, or if the common denominator in every ship you disapprove of includes a Black woman.

This is not just my opinion. I asked other Black soap opera fans for their opinion on the prevalence of misogynoir in the genre and received permission to share their responses. The responses I received were insightful and brutally honest.

*Names have been changed to prevent harassment and answers have been edited for clarity.*

I feel like Black actresses/characters are not always given the opportunity to fully display their talent. They are not showcased as frequently and have to make do with the limited airtime they receive. On Y&R, Hilary was killed off (along with her unborn baby), and the former head writer, Mal Young, referred to it as a gift. While the misogynoir in the stories may not always be overt, there have been instances that have made me take a second look.

A notable example is how General Hospital’s Dr. Portia Robinson has been grappling with the consequences of her mistake/secret for over three months, which is a significant portion of a year. She has come close to losing her husband (who cheated on her), and her daughter, who holds great importance in her life, refuses to speak to her.

Non-Black characters have kept secrets and, when exposed, have barely faced any consequences. Black female characters sometimes lack meaningful character development unless it revolves around trauma, and even then, it may not be depicted on screen. Y&R introduced Naya’s cancer storyline for Amanda and Imani’s mother, which predominantly played out off-screen. Many fans remain dissatisfied with B&B completely eliminating its only Black family, The Avants.

I feel like Black actresses/characters are caught in a lose-lose situation. If the character is morally upright, they cannot make even minor mistakes, and when they do, it often triggers an unnecessary backlash from the fandom. And when they are portrayed as flawless (making little to no mistakes), they are labeled as ‘boring’ or ‘annoying.’ Every action they take is scrutinized, often with negative judgment. If a Black female character is paired with a desirable male character, it is frequently dismissed as ‘more like a brother and sister’ or suggested that they should remain friends.

I have called out misogynoir in fandom spaces, not limited to soap opera fandom, and have faced resistance. People have accused me of ‘playing the race card’ because they refuse to acknowledge why their comments are offensive. My concerns have been trivialized and disregarded. Whenever I observe it, I will always speak up. I have yet to witness internalized misogynoir within soap fandom, but it is prevalent in other communities. Some individuals allow themselves to be used as props for others’ racist beliefs.

Kendra

Without much thought, it’s evident that Black female characters lack complete development. Their stories often serve only to advance the plot of a white or white-adjacent character. The narratives surrounding Black female characters rarely receive thorough exploration. I began watching soaps when I was around 14 or 15, starting with General Hospital. I was drawn to Gia, but she never received the investment and development she deserved. Black female characters were treated as temporary fixtures, and their relationships were never taken seriously. If they were in an interracial pairing and got married, their relationship wasn’t portrayed with the same depth as their white counterparts. If they were married to another Black person, they received minimal focus in storylines or were abruptly written off.

I have witnessed racism from white fans directed towards Black female characters. I wouldn’t say it’s more prevalent now, but rather more visible. Days of our Lives’ Lani Price and GH’s Trina Robinson face the harshest criticisms. I believe Amanda Sinclair/Hilary Curtis on Y&R also encountered some. Trina and Lani are deemed “not good enough” for Eli and Spencer, with no valid justification given. And when those making these claims are pressed to name who they would prefer to see these men with, it’s usually someone white or non-Black who has committed similar or even worse actions than Trina or Lani. Yet, the treatment is different for non-Black characters.

Suddenly, it’s argued that “not all characters have to be good; they can be morally ambiguous, or they’ve faced consequences for their actions.” This leniency is not extended to Black female characters. The show completely disregarded the troubling optics of Lani having to kneel before another woman of color for the sake of a racist storyline, and when we voiced our concerns, we were told to accept it if we wanted Lani to have a story.

I do notice that more fans came forward to defend Trina when she debuted, which is encouraging, but there is still an abundance of poor writing and characterization for Black female characters. It’s like taking one-quarter step forward and then stumbling eighty steps back.

Latoya

I have witnessed misogynoir within fandom spaces, and I believe it reflects the attitudes presented in the show itself. When a show fails to create room for a diverse range of experiences for Black women and girls, it sets a particular tone. Let’s take General Hospital as an example. The two most prominent Black women characters on the show were introduced through paternity drama. While Trina receives significant attention for her popular pairing, her character development has been halted in favor of prioritizing the growth of her white male love interest.

In my personal experience within fandom, I have seen the voices of Black women silenced or ridiculed if they deviate from the mainstream opinion. It seems that “mainstream” GH Twitter only cares about protecting Trina, while the same level of nuance isn’t extended to Jordan, Portia, Stella, and others. Black women viewers have made a deliberate effort to uplift the Black women we see on our screens, but this responsibility should not rest solely on our shoulders.

Shows need to address race, emphasize the necessity of these stories, and stop catering to those who resist the idea of Black women being fully developed characters. To avoid being targeted and gaslit, I decided to distance myself from soap Twitter. Additionally, since my Twitter is also connected to my professional work, I can’t afford to have people look me up and see me involved in fandom conflicts, so I chose to stop tweeting about the show altogether.

Tiana

I have been watching soaps since I was a little girl. I took a break during college around 2005 or 2006 and then returned in 2019. While I have always been involved in social media, I am sometimes taken aback by the fact that people say things online that they wouldn’t say to your face. However, I have become adept at muting and blocking individuals who exhibit hateful behavior.

It is disheartening when negative comments are made about an actress’s hair or appearance. Black women are often expected to conform to certain standards of beauty and behavior, and if they deviate from those expectations, they are called out for it. Black actresses have to fight for meaningful storylines, particularly lead roles. And if they appear on-screen for 2 or 3 days a week, there are often complaints online about their character being overexposed, even if they hadn’t been seen for weeks prior. Personally, I love seeing women who look like me represented on my screen. Our stories deserve to be told too.

Alicia

My experience in the Sprina fandom has been a mix of positive and negative. I am grateful for everything we have achieved, but it is frustrating to think about why fans have to fight so hard to have this particular story told. All we want is for Trina and Spencer’s love story to be given attention. Trina is not afforded the same opportunities as others, especially her white female co-stars. I want Trina to have the same freedom of expression that Joss has and be allowed to assert herself against others, just like her best friend does. I don’t want her to be relegated to a mere talking character.

Carmen

My journey in the soap world has been enlightening. In the Days fandom, whenever we discussed Black characters facing hate due to their Blackness, there was always someone who would bring up a white character receiving hate to dismiss our concerns. When Chanel was introduced, she often seemed like an afterthought in conversations. Tweets would mention Ciara, Allie, and Chanel, with Chanel being mentioned last, as if she was added to make it appear that they cared about her as much as her white peers. I’ve also noticed that fans of white characters are less bothered when a white character they love is paired with a Black man, but if it’s a white male character they adore paired with a Black woman, it becomes a big problem. They find ways to criticize her.

Being part of the soap fandom made me reconsider how I approach tweeting about Black characters, especially when the fandom is predominantly non-Black. I observed how some Black fans would support white characters involved in rivalries with Black characters, even when their non-Black mutuals spoke about them disrespectfully. It was a major turn-off. Microaggressions were already enough to warrant a response, but seeing mutuals being racist as well? After witnessing that, there are Black characters and certain topics I avoid tweeting about because it only adds to the pile of hate that they already receive, and it opens the door for ignorant white fans to feel entitled to comment on her and make remarks about her hair or appearance.

Hillary

I believe soap Twitter is on par with reality Twitter when it comes to their disdain for Black women. Soap Twitter doesn’t hide it, and I doubt it will improve. I also think that the writers and those in charge contribute to the perpetuation of misogynoir, particularly by white women. They don’t consistently write for Black women, and when they do, they often rely on negative tropes. When that happens, these white women can defend themselves by saying, “I’m not being misogynistic or racist towards Black women because this is what we saw, it was written, and it wasn’t overtly racist (to me).”

I also think those in charge enable the mistreatment of Black actresses by fandoms because they don’t step up to defend them. Even some of their co-stars seem to endorse the harassment and abuse by not supporting them. In my experience, the fandom where I have seen the most internalized misogynoir and misogyny in general within the soap world is DAYS. Just look at the aftermath of Lani shooting TR and how it was handled. Look at Jada and the way her abortion story was portrayed.

With Trina on GH, I believe it’s more subtle due to her age. Discussions about her are often filled with comments like, “They should try Spencer and Joss,” as if Trina doesn’t deserve a love interest who genuinely wants her. Racist individuals respond to Trina and Spencer’s relationship by saying, “Oh, he can’t possibly like her,” which is also prevalent in reality TV, which can be considered a form of soap opera. I have faced pushback when I’ve spoken up, with people telling me, “Don’t make it about race.” However, I have mostly stayed silent to avoid harassment and also because I don’t want to argue with people who refuse to acknowledge what is clearly present.

Serena

I have witnessed misogynoir, although I haven’t always used that term to describe it. I can recognize the behavior, though. The disparity in how fans treat Black women and their characters is as blatant as a brick to the face.

For instance, Hilary Curtis was deemed the worst person on Earth, while a character like Mariah Copeland, who had a similar introduction, was quickly forgiven because of the actress who portrayed her and her connections. Lani Price has been accused of things that directly contradict the show’s narrative, like her “lying” to Eli about what she witnessed when she caught Gabi and JJ together, as if it was normal for Gabi to put on JJ’s t-shirt and get into bed with him. Recently, some viewers were convinced that Jada Hunter lied about terminating her pregnancy on Days, despite no evidence within the storyline pointing in that direction. On the other hand, Nicole, who has conspired to commit murder and engaged in various crimes, even manipulating Jada into having an abortion, is perceived as “misguided” or “misunderstood” and given the benefit of the doubt.

I believe misogynoir limits the types of stories writers are willing to tell with Black characters. And even when a story is told, there is often little to no consideration given to the character being Black. The narratives are frequently cut short because the writers cannot envision going beyond the original plot and exploring the depth of the character. A Black woman can’t be the focal point of any story, so they don’t bother treating her as a fully developed person.

It also affects casting decisions, with some characters becoming more ethnically ambiguous or lighter in complexion when recast, like Destiny Evans on OLTL or Simone Russell on Passions. Misogynoir literally dictates the types of Black women we are even allowed to see on screen. Tabyana Ali as Trina Robinson is significant for multiple reasons, including her appearance and how the show has positioned her to potentially drive the story. By the time I speak up about something, I have reached the point of not caring who agrees or disagrees. And I think people just block me right away, but that could be because I’m a man.

Trey

Misogynoir is not just my opinion or an exaggeration; it exists in both real life and reel life and causes real harm. Misogynoir is evident in General Hospital when Portia’s character transitions from being a protective mother to a meddlesome mom by engaging with a racist character who jeopardized her daughter’s life and freedom. Moreover, it is reflected in the way their interactions are written, which protects Esme while leaving Portia vulnerable and unsupported.

Misogynoir is seen in Bold and Beautiful fans’ responses, such as using derogatory comments like “slut alert” and perpetuating harmful stereotypes when discussing Paris and speculating about a potential RJ/Paris pairing. These comments diminish Paris’s character, despite her having had only two relationships on the show, one of which she intended to pursue marriage.

Misogynoir is witnessed in The Young and The Restless, where Mishael Morgan is treated as an afterthought, disregarding her significant, historic Emmy win.

Misogynoir is when Black women are silenced, harassed, gaslit, or accused of being “the real racists” by fellow fans when we speak out against the anti-Black harassment, abuse, and racism faced by our favorite actresses and the characters they portray.

Misogynoir is observing fans, soap press, and co-stars uniting to protect and defend white actresses from online hate or inappropriate comments, while not providing the same level of support when it’s Black actresses in need of protection.

If you are active in any soap fandom and witness misogynoir, push back against it as strongly as you challenge the denial of its existence. When Black women critique a story for perpetuating misogynoir, don’t be too quick to dismiss their valid concerns or condescendingly remind everyone that “it’s just a soap.”

If you are a moderator on a message board and notice dog whistles (such as loud, uppity, aggressive) being used when discussing Black women, issue warnings, enforce bans, or shut down problematic threads.

If you come across a racist meme or post targeting a Black actress or her character while scrolling social media, report it. If you see your Facebook friends or Twitter mutuals being disrespectful towards a Black actress’s appearance or abilities, call them out or engage in a constructive conversation, but don’t simply let it slide.

Escapism is a pleasure that everyone should be able to enjoy. The fandom communities we have created around the soaps we love should be spaces where Black women, both real and fictional, are celebrated and appreciated rather than denigrated and put on the defensive. Black women are not asking for special treatment; we are simply asking for equal and fair treatment. We are asking for the opportunity to escape too.

The post Misogynoir In Daytime: “Might I Suggest You Don’t F**k With My Sis” appeared first on TV Source Magazine. TV Source Magazine - TV News, Spoilers, Recaps, Interviews

The festivities celebrating the best of daytime television is set for Friday, June 16. CBS will air the show and simulcast on Paramount+ streaming live at 9:00 pm EST and will air delayed on the west coast at 9:00 pm PST. The June 16^th telecast will mark the 17^th time CBS has broadcast the Daytime Emmys, more than any other network.

The Daytime Emmy Awards have recognized outstanding achievement in television programming and crafts since 1974, honoring work in a variety of categories, including daytime dramas, talk shows, instructional programming, hosting, and legal/courtroom programs. In 2021, the National Academy of Television Arts & Sciences (NATAS) and the Television Academy jointly announced plans to realign the Daytime and Primetime Emmy Awards to be organized by content genre, as opposed to program airtime.

All awards are judged by a pool of more than 1,000 peer professionals from across the television industry, whose confidential ballots were then tabulated by the independent accounting firm of Lutz & Carr, LLP.

Nominations for Outstanding Drama Series, Talk Series Host, Lead Actor & Actress were announced Tuesday, April 24 on Entertainment Tonight, Access Hollywood, Extra and E! News.

The nominations are:

Outstanding Daytime Drama Series

• The Bay (Popstar! TV)
• The Bold and the Beautiful (CBS)
• Days of Our Lives (NBC | Peacock)
• General Hospital (ABC)
• The Young and the Restless (CBS)

Outstanding Daytime Drama Series Writing Team

• The Bay (Popstar! TV)
• Beyond Salem: Chapter 2 (NBC | Peacock)
• The Bold and the Beautiful (CBS)
• Days of our Lives (NBC | Peacock)
• General Hospital (ABC)
• The Young and the Restless (CBS)

Outstanding Daytime Talk Series Host

• Drew Barrymore | The Drew Barrymore Show (Syndicated)
• Kelly Clarkson | The Kelly Clarkson Show (Syndicated)
• Tamron Hall | Tamron Hall (Syndicated)
• Kelly Ripa, Ryan Seacrest | Live with Kelly and Ryan (Syndicated)
• Sherri Shepherd | Sherri! (Syndicated)

Outstanding Lead Performance in a Daytime Drama Series: Actor

• Maurice Benard as Sonny Corinthos | General Hospital (ABC)
• Peter Bergman as Jack Abbott | The Young and the Restless (CBS)
• Billy Flynn as Chad DiMera | Days of Our Lives (NBC | Peacock)
• Thorsten Kaye as Ridge Forrester | The Bold and the Beautiful (CBS)
• Jason Thompson as Billy Abbott | The Young and the Restless (CBS)

Outstanding Lead Performance in a Daytime Drama Series: Actress

• Sharon Case as Sharon Newman | The Young and the Restless (CBS)
• Melissa Claire Egan as Chelsea Lawson | The Young and the Restless (CBS)
• Finola Hughes as Anna Devane | General Hospital (ABC)
• Michelle Stafford as Phyllis Summers | The Young and the Restless (CBS)
• Jacqueline MacInnes Wood as Steffy Forrester | The Bold and the Beautiful (CBS)

Outstanding Supporting Performance in a Daytime Drama Series: Actor

• Nicholas Alexander Chavez as Spencer Cassadine | General Hospital (ABC)
• Chad Duell as Michael Corinthos, Jr. | General Hospital (ABC)
• Daniel Feuerriegel as EJ DiMera | Days of our Lives (NBC | Peacock)
• Robert Gossett as Marshall Ashford | General Hospital (ABC)
• Jon Lindstrom as Kevin and Ryan Collins | General Hospital (ABC)

Outstanding Supporting Performance in a Daytime Drama Series: Actress

• Krista Allen as Dr. Taylor Hayes Forrester | The Bold and the Beautiful (CBS)
• Sonya Eddy as Epiphany Johnson | General Hospital (ABC)
• Stacy Haiduk as Kristen DiMera | Days of our Lives (NBC | Peacock)
• Brook Kerr as Dr. Portia Robinson-Ashford | General Hospital (ABC)
• Kelly Thiebaud as Dr. Britt Westbourne | General Hospital (ABC)

Outstanding Young Performance in a Daytime Drama Series

• Cary Christopher as Thomas DiMera | Days of our Lives (NBC | Peacock)
• Victoria Grace as Wendy Shin | Days of our Lives (NBC | Peacock)
• Eden McCoy as Josslyn Jacks | General Hospital (ABC)
• Henry Joseph Samiri as Douglas Forrester | The Bold and the Beautiful (CBS)

Outstanding Guest Performance in a Daytime Drama Series

• Steve Burton as Harris Michaels | Days of our Lives (NBC | Peacock)
• Cassandra Creech as Dr. Grace Buckingham | The Bold and the Beautiful (CBS)
• Alley Mills as Heather Webber | General Hospital (ABC)
• Robert Newman as Ashland Locke | The Young and the Restless (CBS)
• Kevin Spirtas as Dr. Craig Wesley | Days of our Lives (NBC | Peacock)

For a full list of nominations, visit the official Daytime Emmys website.

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BBC’s comedy series Ghosts will be ending with its upcoming fifth season. The series follows a cash-strapped young couple who inherit a rickety country mansion, only to find it teeming with needy ghosts. When an incident leads to one of the living being able to see the ghosts, their lives change forever. The series, which streams on HBO Max in the US, was the source of the CBS series Ghosts in the US which is already renewed for a third season.  

Quinta Brunson is set to host Saturday Night Live April 1. This will be Brunson’s first time hosting the late night NBC series. Musical Guest Lil Yachty will also be making his debut on the series. 

King of Collectibles: The Goldin Touch premieres on Netflix April 28. Ken Goldin and his savvy team run the thrilling action in this series that goes inside a leading auction house specializing in rare collectibles.

Let’s Get Divorced is set to premiere on Netflix June 22. The comedy drama series follows a rookie politician and his actor wife who struggle with their marriage life and decide to split up. However, their parents and agents don’t allow them to do it. With their solid goal, the husband and wife begin to move along their path to divorce. 

Adult Swim will be streaming tonight’s annual April Fools’ Day prank event live for free. In recent years, the network has aired pranks like having Pibby appear, Adult Swim Jr., airing premiere episodes with no warning, and even airing episodes in Japanese with English subtitles. 

Shemar Moore is set to appear in an upcoming episode of The Young and the Restless. He will once again reprise the role of Malcolm Winters after leaving the CBS series in 2007. The episode will air May 8. 

Omar Epps has been cast in Netflix’s The Perfect Couple. The six episode murder mystery limited series is based on the book of the same name by Elin Hilderbrand. He joins Nicole Kidman, Liev Schreiber, Meghann Fahy, Dakota Fanning, Eve Hewson and Jack Reynor. 

CMT has added Gary Clark Jr. for their can’t miss Stevie Ray Vaughan tribute and also announced their all-star presenter lineup for the 2023 CMT Music Awards. Presenters include Carly Pearce, Carrie Underwood, Charles Esten, Dixie D’Amelio, Dustin Lynch, HARDY, Ian Bohen + Jen Landon, Jon Pardi, LeAnn Rimes, Madison Bailey, Max Thieriot, Megan Thee Stallion, Noah Schnapp, Parker McCollum, Peter Frampton, Shania Twain, Steve Howey, and Travis Kelce. The ceremony, hosted by Kane Brown and Kelsea Ballerini, airs live from Austin, Texas’ Moody Center April 2 (8:00-11:00 PM, ET/delayed PT) on CBS. 

FOX Sports has set its starting lineup for the Major League Baseball regular season. Joe Davis, John Smoltz and Ken Rosenthal return to the helm of the network’s coverage, opening the season with San Francisco Giants-New York Yankees on April 1 at 4:00 PM ET on FOX. Adam Amin, Jason Benetti and Kenny Albert team up with analysts A.J. Pierzynski, Eric Karros, Tom Verducci and Dontrelle Willis throughout the regular season in the booth. In studio, Kevin Burkhardt, Chris Myers and Mike Hill host pregame and postgame coverage alongside a rotation of analysts including Eric Karros, Mark Sweeney and Willis. Former New York Yankee and Hall of Famer “The Captain” Derek Jeter joins World Series champions Alex Rodriguez and David Ortiz for special events, including the 2023 MLB London Series on June 24 and the MLB All-Star Game presented by Mastercard on July 11. Jeter will make his official FOX Sports studio analyst debut in London. 

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HBO’s Barry will be ending with its upcoming fourth season, set to premiere April 16. In the eight episode season, Cousineau is hailed as a hero as Barry’s arrest has shocking consequences. It’s all been leading up to this – the explosive and hilarious final chapter of Barry. 

Vehicle renovation series Rennervations premieres on Disney+ April 12 with all four episodes. Jeremy Renner and his team of expert builders use their skills to reimagine decommissioned vehicles and rebuild them into mind-blowing creations that serve communities around the world. Every build has a purpose. 

Season two of Schmigadoon! premieres on Apple TV+ April 5. Having found true love in the town of Schmigadoon, season two will find Josh and Melissa in Schmicago, the reimagined world of ’60s and ’70s musicals. It will include new original musical numbers as well as returning stars Cecily Strong, Keegan-Michael Key, Ariana DeBose, Martin Short, Dove Cameron, Jaime Camil, Kristin Chenoweth, Alan Cumming, Ann Harada, Jane Krakowski, and Aaron Tveit with Tituss Burgess and Patrick Page joining the cast for season two. 

Amazon Freevee’s new docu-style comedy series Jury Duty will premiere April 7 with the first four episodes. The series chronicles the inner workings of an American jury trial through the eyes of one particular juror, Ronald Gladden. What Gladden doesn’t know is that the entire case is fake, everyone except him is an actor, including James Marsden, and everything that happens – inside the courtroom and out – is carefully planned. 

ABC’s The Good Doctor will air its potential spinoff episode The Good Lawyer March 13. In the episode, Dr. Shaun Murphy seeks legal representation to help him win a case and puts his faith in a promising, young lawyer who has obsessive compulsive disorder. Guest starring in the episode are Kennedy McMann, Felicity Huffman and Bethlehem Million. 

Netflix has ordered a new comedy series from Mike Schur. Ted Danson will star in the series reuniting with Schur after working together on The Good Place. In the eight episode season, Danson will play Charles, a retired man, who gets a new lease on life when he answers an ad from a PI and becomes a mole in a secret investigation. The series is based on the documentary The Mole Agent.

The Eric Andre Show returns for season six on adult swim June 4. Eric is back behind the desk like never before; ripped, shredded, full of energy, complete with beads of sweat dripping down from his taut nips onto his glistening six pack abs. Watch pampered celebrities regret their choices, rappers get the runaround, and a slate of street pranks so egregious they collectively inspired a record 30 phone calls to 911. Co-hosts include Felipe Esparza, Reese W, Krft Punk, and the mysterious (but soon-to-be iconic) FRIDGE KEEPER. Guests appearing in the new season include Natasha Lyonne, Jaleel White, Blac Chyna, Jon Hamm, Raven-Symoné, Diplo, Daymond John, Meagan Good, Rico Nasty, Waka Flocka Flame, Tinashe, Cypress Hill, Lil Yachty and a host of other celebrities.

NBC has ordered car makeover competition series Hot Wheels: Ultimate Challenge. Hosted by Rutledge Wood, who will also serve as one of the show’s judges, the 10-episode series will give Hot Wheels superfans the opportunity of a lifetime – turning a nostalgic car from their past into the life-sized Hot Wheels of their dreams. The season-finale winning creation will spin its wheels by launching as an official Hot Wheels die-cast car. Each episode will invite two passionate car fans and Hot Wheels lovers into the Chrome Zone, where they will each face off in transforming an ordinary vehicle into an extraordinary Hot Wheels showstopper, inspired by personal stories and pop culture touchstones. Working alongside a team of automotive magicians known as “The Car Pool,” the two Superfans will create their designs in high-tech, decked-out garages. Raising the stakes of the competition is the Inspirationator 5000, a larger-than-life vending machine that will rev up in each episode to present the Superfans with a twist in the road. The winner of each episode will take home $25,000 and the chance to get into the finale, where three lucky finalists will transform another car in hopes of winning a legendary prize – an additional $50,000 and the honor of having their design made into an official Hot Wheels die-cast car. 

Netflix has renewed Full Swing and Break Point for second seasons. Filming on the sports docuseries is underway now to capture the 2023 seasons. Full Swing follows a diverse group of professional golfers on and off the course, across a relentless season of competition. Break Point follows a select group of top tennis players on and off the court as they compete in the biggest and most grueling events in tennis with hopes of emerging as champion and even bigger dreams of becoming world number one.

Jon Bernthal will appear on Disney+’s upcoming Marvel series Daredevil: Born Again. He will reprise his role as The Punisher which he played on Netflix’s Daredevil and The Punisher. Charlie Cox and Vincent D’Onofrio will also be reprising their roles from the Netflix series. 

Randall Park will be a series regular in the upcoming Shondaland series The Residence on Netflix. Spencer Garrett will recur in the series as well. They join Uzo Aduba, Andre Braugher, Susan Kelechi Watson, Ken Marino, Jason Lee, Bronson Pinchot, Isiah Whitlock Jr., Edwina Findley, Molly Griggs, Al Mitchell, Dan Perrault and Mary Wiseman. 

David Del Rio and Leah Lewis have been cast in CBS’s Matlock pilot. They join  Kathy Bates and Skye P. Marshall in the potential remake. 

Anthony Anderson will star in ABC’s comedy pilot Public Defenders. The single-camera comedy project follows four inexperienced public defenders, up to their earholes in student loan debt, who work tirelessly to keep their clients out of jail. Along the way, they have to rely on each other to navigate their first defendants, the absurd court system, and the copy machine that always jams

Hulu is no longer moving forward with limited series Devil in the White City. The project was to be based on the book by Erik Larson. Todd Field was set to direct with Keanu Reeves as the lead, but both dropped out of the project from Martin Scorsese and Leonardo DiCaprio. The drama series will be shopped elsewhere. 

Prime Video’s Black Friday NFL game will premiere this year. The game will be made free for all users. Their usual Thursday Night Football NFL coverage is made available for subscribers only. 

Halle Bailey, Antonio Banderas, Elizabeth Banks, Jessica Chastain, John Cho, Andrew Garfield, Hugh Grant, Danai Gurira, Salma Hayek Pinault, Nicole Kidman, Florence Pugh and Sigourney Weaver will all present at the upcoming 95th Oscars. Hosted by Jimmy Kimmel, The Oscars will air live on ABC and broadcast outlets worldwide on March 12, 2023, at 8 p.m. EDT/5 p.m. PDT. 

P!NK, Kelly Clarkson, Keith Urban, Pat Benatar & Neil Giraldo, Muni Long, Cody Johnson, Coldplay (with a special live performance from Brazil), and more are set to perform at the 2023 iHeartRadio Music Awards. Additionally, Taylor Swift will receive the 2023 iHeartRadio Innovator Award. The event will air LIVE from Dolby Theatre in Los Angeles, March 27 (8:00-10:00 p.m. ET live / PT tape-delayed) on FOX. 

Season four of Love is Blind premieres on Netflix March 24. Singles who want to be loved for who they are, rather than what they look like, have signed up for a less conventional approach to modern dating in Seattle where they hope to meet the person they want to spend the rest of their lives with…without ever having seen them. With no distractions from the outside world, the singles talk to a stream of potential love interests and when a meaningful connection is made, they propose and then lay their eyes on their fiancé for the first time. Engaged and back in the real world, as the couples plan their wedding day, they will quickly discover whether they can turn their emotional connection into a physical one before the fast-approaching ceremony. Hosted by Nick and Vanessa Lachey, this addictive series will uncover whether looks, race or age do matter, or if love really is blind. 

The Real Housewives of Miami season five reunion premiere on Peacock March 9. Set against the backdrop of one of the most exciting and diverse cities in the world, The Real Housewives of Miami will take viewers on a wild ride of red-hot fun and friendship – with of course, no drama to spare.

The second and final season of the political thriller series The Kingdom will premiere on Netflix March 22. Pastor Emilio Vázquez Pena and Tadeo Vázquez face off in an epic battle between good and evil. 

Danish series The Nurse will premiere on Netflix April 27. Pernille Kurzmann quickly realizes that working a night shift with Christina Aistrup Hansen at the hospital in Lolland Falster is not like most shifts.

Showtime’s Catching Lightning will premiere on streaming April 7 and on air April 9. The four episode docuseries tells the surreal tale of Great Britain’s Securitas Depot robbery in 2006, in which nearly £53 million in cash (more than $92 million USD at the time) was stolen, with new interviews, striking revelations and never-before-heard aspects of the heist. 

Season two of Undercover Underage will premiere on ID May 1. Every day, countless minors are exploited, groomed and abused in person and online. Enter Roo Powell and her team at the nonprofit SOSA (Safe from Online Sex Abuse), who work in tandem with law enforcement to apprehend child predators by becoming the targets. After a successful first season resulting in four convictions of sexual predators, the SOSA team relocates to embed with the sheriff’s office in Canadian County, Oklahoma and deploys three new underage decoys. As the team launches the fictitious online accounts for a 15, 14 and even a 12-year-old persona, it’s a race against the clock to identify the ACMs (adults contacting minors) and build a case against the alleged predators to enable law enforcement to make an arrest before the perpetrators can victimize other children. With 16 arrests featured this season, the pressure is palpable over the course of eight explosive and intense all-new episodes. 

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Who from The Bold and the Beautiful, Days of our Lives, General Hospital and The Young and the Restless will take home the wins? Check out the list of nominations here.

The newest TV Source Podcast episode is available for streaming. Share with us your thoughts on the week and reaction to the podcast in the comments below or on social media using #TVSPodcast!

Podcast 116 – 2022 Daytime Emmy Nominations

Hosts: Johnathon K., Coryon Gray, Ryan White and Ashley Dionne
Producer: Johnathon K. and Coryon Gray
Taped: May 8, 2022

Episodes of the TV Source podcast are available on iTunes, Spotify and Google Play. Join in on the conversation using #TVSPodcast on Twitter, comment below, or email us at podcast@tvsourcemagazine.com.

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The June 24th telecast will mark the 16th time CBS has broadcast the Daytime Emmys®, more than any other network. The Creative Arts and Lifestyle Emmy ceremony will stream live at 9 PM ET/6 PM PT on Saturday, June 18 at watch.TheEmmys.tv and via The Emmys apps for iOS, tvOS, Android, FireTV, and Roku (full list at apps.theemmys.tv). The final determination of categories presented on the CBS broadcast vs. Creative Arts ceremony will be announced closer to the respective airdates.

Here is the complete list:

Outstanding Lead Performance in a Drama Series: Actor

• Peter Bergman as Jack Abbott (“The Young and the Restless”, CBS)
• Eric Martsolf as Brady Black (“Days of our Lives”, NBC)
• John McCook as Eric Forrester (“The Bold and the Beautiful”, CBS)
• James Reynolds as Abe Carver (“Days of our Lives”, NBC)
• Jason Thompson as Billy Abbott (“The Young and the Restless”, CBS)

Outstanding Lead Performance in a Drama Series: Actress

• Marci Miller as Abigail DiMera (“Days of our Lives”, NBC)
• Mishael Morgan as Amanda Sinclair (“The Young and the Restless”, CBS)
• Cynthia Watros as Nina Reeves (“General Hospital”, ABC)
• Laura Wright as Carly Corinthos (“General Hospital”, ABC)
• Arianne Zucker as Nicole Walker (“Days of our Lives”, NBC)

Outstanding Supporting Performance in a Drama Series: Actor

• Bryton James as Devon Hamilton (“The Young and the Restless”, CBS)
• Jeff Kober as Cyrus Renault (“General Hospital”, ABC)
• Aaron D. Spears as Justin Barber (“The Bold and the Beautiful”, CBS)
• James Patrick Stuart as Valentin Cassadine (“General Hospital”, ABC)
• Jordi Vilasuso as Rey Rosales (“The Young and the Restless”, CBS)

Outstanding Supporting Performance in a Drama Series: Actress

• Kimberlin Brown as Sheila Carter (“The Bold and the Beautiful”, CBS)
• Nancy Lee Grahn as Alexis Davis (“General Hospital”, ABC)
• Stacy Haiduk as Kristen DiMera (“Days of our Lives”, NBC)
• Melissa Ordway as Abby Newman (“The Young and the Restless”, CBS)
• Kelly Thiebaud as Dr. Britt Westbourne (“General Hospital”, ABC)

Outstanding Younger Performer in a Drama Series

• Lindsay Arnold as Allie Horton (“Days of our Lives”, NBC)
• Nicholas Chavez as Spencer Cassadine (“General Hospital”, ABC)
• Alyvia Alyn Lind as Faith Newman (“The Young and the Restless”, CBS)
• William Lipton as Cameron Webber (“General Hospital”, ABC)
• Sydney Mikayla as Trina Robinson (“General Hospital”, ABC)

Outstanding Guest Performance in a Drama Series

• Robert Gossett as Marshall Ashford (“General Hospital”, ABC)
• Ted King as Jack Finnegan (“The Bold and the Beautiful”, CBS)
• Michael Lowry as Dr. Clay Snyder (“Days of our Lives”, NBC)
• Naomi Matsuda as Dr. Li Finnegan (“The Bold and the Beautiful”, CBS)
• Ptosha Storey as Naya Benedict (“The Young and the Restless”, CBS)

Outstanding Writing Team for a Drama Series

• Days of our Lives: Beyond Salem (Peacock)
• Days of our Lives (NBC)
• General Hospital (ABC)
• The Young and the Restless (CBS)

Outstanding Directing Team for a Drama Series

• Days of our Lives: Beyond Salem (Peacock)
• Days of our Lives (NBC)
• General Hospital (ABC)
• The Young and the Restless (CBS)

Outstanding Daytime Drama Series

• The Bold and the Beautiful (CBS)
• Days of our Lives: Beyond Salem (Peacock)
• Days of our Lives (NBC)
• General Hospital (ABC)
• The Young and the Restless (CBS)

Outstanding Casting

• Days of our Lives / Beyond Salem (NBC/Peacock)
• Dogs (Netflix)
• General Hospital (ABC)
• Start Up (PBS)
• The Young and the Restless (CBS)

Outstanding Live Sound Mixing and Sound Editing

• Days of our Lives (NBC)
• Family Feud (Syndicated)
• General Hospital (ABC)
• The Kelly Clarkson Show (Syndicated)
• The Price is Right (CBS)

Outstanding Costume Design/Styling

• The Drew Barrymore Show (Syndicated)
• General Hospital (ABC)
• Nick Cannon (Syndicated)
• The Young and the Restless (CBS)

Outstanding Makeup

• General Hospital (ABC)
• The Real (Syndicated)
• Red Table Talk (Facebook Watch)
• Tamron Hall (Syndicated)
• The View (ABC)

John Aniston, who plays Victor Kiriakis on Days of Our Lives (NBC), will be receiving the Lifetime Achievement Award this year. 

The 49th Annual Daytime Emmy Awards will air live on Friday, June 24th at 9pm/8c on CBS. 

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